Medieval Music and the Art of Memory

Bibliography

bibliography PRIMARY SOURCES Aaron, Pietro. Libri tres de institutione harmonica. Bologna: Benedetto Ettore di Faellis , 1516. Repr. New York: Broude Bros., 1976. ———. Thoscanello de la musica (Venice: Vernardio and Matheo de Vitali, 1523). Revised edition with a supplement published as Thoscanello in musica. Venice: Bernardino and Matheo de Vitali, 1529. Repr. New York: Broude Bros., 1969. Abbaco, Paolo dell’, Trattato d’aritmetica. Edited by Gino Arrighi. Pisa: Domus Galilaeana, 1964. Ad Herennium. Edited and translated by Harry Caplan. The Loeb Classical Library. Cambridge, MA: Harvard University Press, 1954. Adam de la Halle. Œuvres complètes. Edited by Pierre-Yves Badel. Lettres gothiques. Paris: Le Livre de Poche, 1995. Adam von Fulda. Musica. In GS 3:329–81. Translation by Peter John Slemon: “Adam von Fulda on musica plana and compositio de musica, Book II: A Translation and Commentary.” Ph.D. diss., University of British Columbia, 1994. Aegidius de Murino. Tractatus cantus mensurabilis. In CS 3:124–28. Agobard of Lyon. Agobardi Lugdunensis Opera omnia. Edited by L. van Acker. Corpus Christianorum, Continuatio Medievalis, no. 52. Turnhout: Brepols, 1981. Alain de Lille. Textes inédits. Edited by Marie-Therese d’Alverny. EPM 52. Paris: Librairie philosophique, 1965. Alia musica: Édition critique commentée avec une introduction sur l’origine de la nomenclature modale pseudo-grecque au Moyen Age. Edited by Jacques Chailley. Paris: Centre de Documentation Universitaire, 1965. Translated by Edmund Heard: “‘Alia Musica ’: A Chapter in the History of Medieval Music Theory.” Ph.D. diss., University of Wisconsin, 1966. Amerus. Practica artis musicae. Edited by Cesarino Ruini. CSM 25. Rome: American Institute of Musicology, 1977. Anonymous IV. (CS I). De mensuris et discantu. Edited by Fritz Reckow, Der Musiktratktat des Anon. IV. Beihefte zum Archiv für Musikwissenschaft, nos. 4–5. Wiesbaden: 255 Franz Steiner, 1967. Translated by Jeremy Yudkin as The New Music Treatise of Anonymous IV: A New Translation. MSD 61. Neuhausen-Stuttgart: Hänssler-Verlag, 1975. Anonymous V. (CS III). Ars cantus mensurabilis mensurata per modos iuris. Edited and translated by C. Matthew Balensuela. Lincoln: University of Nebraska Press, 1994. Anonymous VII. (CS I). De musica libellus, in CS 1:378–83. Anonymous XI. (CS III). Tractatus de musica plana et mensurabili. Edited and translated by Richard Joseph Wingell as “Anonymous XI (CS III): An Edition, Translation, and Commentary.” Ph.D. diss., University of Southern California, 1973. Anonymous of St. Emmeram. De musica mensurata. Edited by Heinrich Sowa in Ein anonymer glossierter Mensuraltraktat, 1279. Kassel: Bärenreiter, 1930. New edition and translation by Jeremy Yudkin: De musica mensurata: The Anonymous of St. Emmeram . Bloomington, IN: Indiana University Press, 1990. Anonymus tractatus de contrapuncto et de musica mensurabili. Edited by Christian Meyer. CSM 40. Neuhausen-Stuttgart: Hänssler-Verlag, 1995. Aquinas, Thomas. Commentary on Aristotle’s De anima. Translated by Kenelm Foster and Silvester Humphries. London: Routledge, 1951. ———. Summa theologica. Blackfriars edition. New York: McGraw-Hill, 1964–81. Aribo. De musica. Edited by Joseph Smits van Waesberghe. CSM 2. Rome: American Institute of Musicology, 1951. Aristotle. Metaphysics. Edited by Richard McKeon in The Basic Works of Aristotle, 689– 926. New York, 1941. ———. On Memory. Translated by Richard Sorabji. Providence, RI: Brown University Press, 1972. ———. Poetics. In The CompleteWorks of Aristotle. The Revised Oxford Translation. Edited by Jonathan Barnes. Bollingen series, no.71.2. Princeton: Princeton University Press, 1984. Ars contrapuncti secundum Johannem de Muris. CS 3:59–68. Augustine. De musica. Edited and translated by L. Schopp as “On Music.” In TheWritings of Saint Augustine. New York, 1947. Aurelian of Réôme. Musica disciplina. Edited by Lawrence Gushee. CSM 21. N.p.: American Institute of Musicology, 1975. Translated by Joseph Ponte as The Discipline of Music. Colorado College Music Press, Translations, no. 3. Colorado Springs: Colorado College Music Press, 1968. Barzizza, Gasparinus. De imitatione. Edited by G. W. Pigman in Bibliothèque d’Humanisme et Renaissance 44 (1982): 341–52. Berno of Reichenau. Epistola de tonis; Prologus in tonarium; and Bern Augiensis tonarius. Edited by Alexander Rausch in Die Musiktraktate des Abtes Bern von Reichenau: Edition und Interpretation. Tutzing, 1999. Boen, Johannes. Ars (musicae). Edited by F. Alberto Gallo. CSM 19. N.p.: American Institute of Musicology, 1972. Bradwardine, Thomas. “De memoria artificiali adquirenda.” Edited by Mary Carruthers in Journal of Medieval Latin 2 (1992): 25–43. ———. “De memoria artificiali.” Translated by Mary Carruthers in The Book of Memory : A Study in Medieval Culture, 281–88. Cambridge, 1990. Burchard, Udalrich. Hortulus musices. Leipzig: Melchior Lotter, 1514. Burtius, Nicolaus. Florum libellus. Edited by Giuseppe Massera. Historiae Musicae...