Dameronia: The Life and Music of Tadd Dameron

Musical Works Index

259 Musical Works Index “A-La Bridges” (arrangement and tune), 16, 155 “Accentuate the Bass” (tune), 203–4 “Airmail Special” (arrangement), 53 “Algo Bueno” (arrangement), 85 “All The Things You Are” (tune), 85–86 “Aloof Spoof ” (tune), 158, 161, 201 “Angel Face” (arrangement), 81 “Anthropology” (tune), 64 “April In Paris” (arrangement), 81, 92 At Basin Street (album), 134 “At Christmastime” (tune), 181–82, 193 “(Back Home in) Indiana” (tune), 75 “Bah-U-Bah” (tune), 104 “Be Bop Carroll, A” (tune), 79, 90, 194 “Bearcat Shuffle” (tune), 17 “Beautifully Adorned” (tune), 162–63 “Best Things in Life Are Free, The” (arrangement ), 152, 155 “Bevan Beeps” (arrangement and tune), 157– 58, 160–61 “Bevan’s Birthday” (arrangement and tune), 164–65, 182 “Bewildered” (arrangement), 31, 32–34, 39, 190 Big Bags (album), 153, 175 “Black and Tan Fantasy” (arrangement), 6 Blue Moon (album), 138–40 “Blue Moon” (arrangement), 138–39 “Blue Satin” (arrangement), 110 “Blue Time, A” (arrangement and tune), 152–54 “Bob White” (song), 170 “Boplicity” (arrangement), 111 “Boydstown” (title), 47, 182 “Bula-Beige” (arrangement and tune), 135–37 “But Beautiful” (arrangement), 152, 155 “Buy Bonds Right Away!” (song), 35 “C-Jam Blues” (tune), 48 “Caldonia” (arrangement), 64 “Cancel Out” (arrangement), 162 “Casbah” (arrangement and tune), 90–91 “Chant of the Weed” (arrangement), 64 Charlie Mingus Presents: Jazz Composers Workshop (album), 145 “Chase, The” (arrangement and tune), 78, 81, 193 “Chega De Saudade” (tune), 48 “Choose Now” (arrangement and tune), 124, 127 “Come Close” (tune), 181 “Conversation,” 25–26, 50, 190 “Cooking in Tempo” (tune), 159 “Cool Breeze” (arrangement), 39, 45, 63, 69–70, 140 “Cream Oil Charlie” (tune), 53, 74 “Creole Love Call” (arrangement), 90 “Dameron Stomp” (arrangement and tune), 21–22, 201 “Dameronia” (arrangement and tune), 78, 81, 90 Dedications (album), 192, 203 “Delirium” (arrangement and tune), 135–36 “Dexter’s Mood” (tune), 81 “Dextivity” (tune), 81 260 Index “Dextrose” (tune), 81 “Dial‘B’ for Beauty” (arrangement and tune), 124–27, 164 “Dig It” (arrangement), 21, 23, 25 “Dig These Riffs” (tune), 34 “Dim Out” (title), 35 “Dizzy Crawl” (quote), 63 “Do-Bla-Bli” (song), 74 “Do You Remember Now?” (song), 35 “Doin’ the Nitty Gritty” (tune), 159 “Don’t Ask Me Why” (arrangement), 119 “Don’t Blame Me” (arrangement), 46 “Don’t Forget It” (song), 34 “Don’t Take Your Love from Me” (arrangement ), 77 “Dream Is You, The” (arrangement and tune), 174–75 “Duke Ellington’s Opening Theme” (arrangement ), 122–23, 146 “Each New Christmas” (lyric), 182 “East St. Louis Toddle-oo” (song, Ellington), 6 “Ebony Concerto” (long-form), 72 “Echoes” (arrangement), 176 “Elder Speaks, The” (arrangement), 158 “Elegy” (composition), 192 “Embraceable You” (arrangement), 42 “Euphoria” (arrangement), 100, 108 “Exactly Like You” (arrangement), 81 “Fine and Dandy” (arrangement), 54, 56–57, 189 “Flossie Lou” (arrangement and tune), 134, 135 “Focus” (arrangement and tune), 91, 92–93, 117 Fontainebleau (album), 135–37, 140–43, 204 “Fontainebleau” (long-form) adapted for student bands, 180 analyzed, 137–38 Dameron’s compositional practice in, 193 introduction of, 21 mentioned, 70, 93, 134 played during Goodman’s Soviet tour, 169 recorded for The Magic Touch, 165 relationship between third-stream music and, 156 rhythmic motifs in, 25 as title track on Fontainebleau, 135 voicings in, 161 “For All Fans” (title), 35 “For Europeans Only” (arrangement and tune), 64, 66–68, 85 “For Heaven’s Sake” (arrangement), 152, 155 “400 Swing” (arrangement and tune), 16–19 “490, The” (tune), 177–78 “Fred’s Delight” (arrangement and tune), 106, 108–9 Fresh Viewpoint and Murial Winston, A (album), 201 “Frolic at Five” (arrangement and tune), 31– 32, 54–55, 72, 92 “Gertrude’s Bounce” (tune), 134 Gettin’ Around (album), 172 “Giant Steps” (tune), 163 “Gnid” (“Handy Andy”) (tune), 144, 147, 201 “Gone With the Wind” (arrangement), 79–80 “Good Bait” (arrangement and tune) adapted for student bands, 180 analysis of, 48–49, 56 background line comparisons in, 154 Basie as coauthor of, 37, 49 changes in Dameron’s style reflected in, 31–32 coda of arrangement for Lunceford, 56–57, 87 compared with“Smooth as the Wind,” 153 Dameron plays at his benefit concert, 186 date written, 11, 31, 54, 69, 195 melodic technique in, 194–95 mentioned, 62 played by Gillespie in Europe, 96 recordings of by Gillespie, 48 by Husby, 203 for V-Disc, 59 rehearsal of in Paris, 98 Rich’s playing of, 60 submitted for copyright, 63 “Half Nelson” (tune), 69, 87 “Half-Step Down, Please” (arrangement and tune), 81 “Handy Andy” (“Gnid”) (tune), 144, 147, 201 “Happy Heart, The...