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ILLUSTRATIONS

Fig. 1.   From The Countryman and the Cinematograph (1901)

Fig. 2.   From The Countryman and the Cinematograph (1901)

Fig. 3.   From Punch, 19 May 1894, 229

Fig. 4.   From Punch, 19 May 1894, 231

Fig. 5.   From Punch, 15 June 1895, 282

Fig. 6.   From Punch, 8 September 1894, 111

Fig. 7.   From “Scandal in Bohemia”

Fig. 8.   From “The Six Napoleons”

Fig. 9.   From “The Final Problem”

Fig. 10.   From “Scandal in Bohemia”

Fig. 11.   From “Scandal in Bohemia”

Fig. 12.   From “Scandal in Bohemia”

Fig. 13.   From “Scandal in Bohemia”

Fig. 14.   From “Charles Augustus Milverton”

Fig. 15.   From “Charles Augustus Milverton”

Fig. 16.   From “Charles Augustus Milverton”

Fig. 17.   From “The Blood-Red Cross”

Fig. 18.   From Punch, 27 January 1894, 45

Fig. 19.   From The Film Censor, 14 August 1912, 3

Fig. 20.   Cover from The Pictures, 24 August 1912

Fig. 21.   From The Pictures, 20 July 1912, 14

Fig. 22.   First shot from Women's Rights (1899)

Fig. 23.   Second shot from Women's Rights (1899)

Fig. 24.   Third shot from Women's Rights (1899)

Fig. 25.   Photograph of Emily Davison's death, captured on film in The Suffragette Derby of 1913. (Taken from Stanley.)

Fig. 26.   From “Dynamite and Dynamiters” (120)

Fig. 27.   From “Dynamite and Dynamiters” (130)

Fig. 28.   From “Dynamite and Dynamiters” (131)

Fig. 29. Cover of program from the New York production of Vera; Or, the Nihilist. (Courtesy of the William Andrews Clark Memorial Library, UCLA.)

Fig. 30. From page two of the program for the New York production of Vera; Or, the Nihilist (Courtesy of the William Andrews Clark Memorial Library, UCLA.)

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