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GeoVrey Cocks is Julian S. Rammelkamp Professor of History at Albion College in Albion, Michigan. He is the author of Psychotherapy in the Third Reich: The Göring Institute (1985, 1997) and The Wolf at the Door: Stanley Kubrick, History, and the Holocaust (2004). James Diedrick is Associate Dean of the College at Agnes Scott College and the author of Understanding Martin Amis (1995, 2004). G. L. Ercolini is a doctoral candidate in the department of communication arts and sciences at the Pennsylvania State University. Her research focuses on the history of rhetoric, rhetoric of the Enlightenment, and early modern period and contemporary rhetorical theory. Pat J. Gehrke is assistant professor of speech communication at the University of South Carolina. He has published essays on Wlm criticism, communication ethics, poststructural theory, and rhetoric in journals such as Critical Studies in Media Communication, Philosophy and Rhetoric, and Argumentation and Advocacy. Novelist and screenwriter Diane Johnson is author of numerous works, including The Shadow Knows (1974) and Le Divorce (1997), which was a National Book Award Wnalist and won a California Book Award gold medal for Wction. Contributors 309 Tim Kreider’s weekly cartoon, The Pain—When Will It End?, appears in the Baltimore City Paper, the New York Press, and online at www.thepain comics.com. Two collections of his cartoons, The Pain—When Will It End? (2004) and Why Do They Kill Me? (2005), are available from Fantagraphics Books. He has written critical essays for Film Quarterly and The Comics Journal. Vincent LoBrutto is the author of nine books, including Stanley Kubrick: A Biography and The Encyclopedia of American Independent Filmmaking. He is the associate editor of Cinemaeditor magazine and a member of the faculty for the Department of Film, Video, and Animation at the School of Visual Arts in New York City. Peter Loewenberg is professor of history and political psychology at the University of California, Los Angeles. He is a Training and Supervising Analyst and co-dean and co-chair of the Education Committee of the New Center for Psychoanalysis in Los Angeles. He is the author of Decoding the Past: The Psychohistorical Approach (1986) and Fantasy and Reality in History (1995). Mark Crispin Miller is professor of media ecology in the Department of Culture and Communication at New York University. He is the author of Boxed In: The Culture of TV (1988), Seeing Through Movies (1990), and The Bush Dyslexicon: Observations on a National Disorder (2002). Glenn Perusek is Royal G. Hall Professor of the Social Sciences at Albion College and a member of the editorial board of New Politics. He is co-editor of Trade Union Politics: American Unions and Economic Change, 1960s–1990s (1995). Novelist and screenwriter Frederic Raphael is the author of numerous works, including the novels Lindmann (1963), The Glittering Prizes (1976), A Double Life (1993), and Coast to Coast (1999); the short story collections Sleeps Six (1979) and Oxbridge Blues (1980); and a recent translation of Petronius, Satyrica (2003). His other screenplays include Darling (1965), for which he won an Academy Award, and Two for the Road (1967). Jonathan Rosenbaum is Wlm critic of the Chicago Reader and author of several books, including Greed (1993), Placing Movies (1995), Movies as Politics 310 Contributors (1997), Dead Man (2000), Movie Wars (2000), Essential Cinema: On the Necessity of Film Canons (2004), and, as editor, This Is Orson Welles (1992). Bille Wickre is associate professor of art history at Albion College, where she teaches courses in eighteenth- and nineteenth-century European art. Paula Willoquet-Maricondi is associate professor of media arts at Marist College, where she teaches Wlm history, theory, and criticism. She is editor of and contributor to Peter Greenaway’s Postmodern/Poststructuralist Cinema (2001) and Pedro Almodóvar: Interviews (2004). Contributors 311 ...

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