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     In the years between the Sharpeville Massacre of 1960 and the Soweto Uprising of 1976—a period that was both the height of the apartheid system in South Africa and, in retrospect, the beginning of its end—Harold Scheub went to Africa to collect stories.
     With tape-recorder and camera in hand, Scheub registered the testaments of Swati, Xhosa, Ndebele, and Zulu storytellers, farming people who lived in the remote reaches of rural South Africa. While young people fought in the streets of Soweto and South African writers made the world aware of apartheid’s evils, the rural storytellers resisted apartheid in their own way, using myth and metaphor to preserve their traditions and confront their oppressors. For more than 20 years, Scheub kept the promise he made to the storytellers to publish his translations of their stories only when freedom came to South Africa. The Tongue Is Fire  presents these voices of South African oral tradition—the historians, the poets, the epic-performers, the myth-makers—documenting their enduring faith in the power of the word to sustain tradition in the face of determined efforts to distort or eliminate it. These texts are a tribute to the storytellers who have always, in periods of crisis, exercised their art to inspire their own people.

Table of Contents

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  1. Cover
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  1. Title Page, Copyright
  2. pp. iii-iv
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  1. Contents
  2. pp. ix-xi
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  1. Illustrations
  2. p. xiii
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  1. Preface
  2. pp. xv-xxvi
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  1. Note
  2. p. xvii
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  1. INTRODUCTION: SOME MOMENTS, FIGURES, AND THEMES IN SOUTH AFRICAN HISTORY
  2. pp. 3-17
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  1. Prologue: FOUNDERS OF THE INHERITANCE
  2. p. 19
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  1. INTRODUCTION
  2. pp. 21-30
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  1. ORIGINS OF THE XHOSA
  2. pp. 31-47
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  1. Part One: CULTIVATING THE PAST: "THIS IS GOD'S PLACE"
  2. p. 49
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  1. INTRODUCTION
  2. pp. 51-60
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  1. THE NECESSARY CLOWN
  2. pp. 61-77
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  1. THE ENDLESS MOUNTAIN
  2. pp. 78-145
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  1. Part Two: AMBIGUOUS PROMISE: "IT KEEPS ON HAPPENING, IT KEEPS ON HAPPENING"
  2. p. 147
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  1. INTRODUCTION
  2. pp. 149-162
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  1. MALIKOPHU'S DAUGHTER
  2. pp. 163-186
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  1. THE DEADLY PUMPKIN
  2. pp. 187-201
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  1. Part Three: THE THREATENED DREAM: "THE LAND WAS SEIZED"
  2. p. 203
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  1. INTRODUCTION
  2. pp. 205-222
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  1. SO TALL HE TOUCHED THE HEAVENS
  2. pp. 223-226
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  1. ALL THE LAND OF THE MPONDOMISE
  2. pp. 227-274
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  1. SNAPPING AT THE WATER'S FOAM
  2. pp. 275-278
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  1. THE LAND WAS SEIZED
  2. pp. 279-281
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  1. THE LAND HAS GROWN OLD
  2. pp. 282-286
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  1. TEARS IN YOUR STOMACH
  2. pp. 287-289
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  1. Part Four: UNCERTAIN HOPE: LIGHTING "AN UNCONTROLLABLE FIRE"
  2. p. 291
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  1. INTRODUCTION
  2. pp. 293-303
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  1. SHE SPOKE ABOUT THE RESURRECTION: NONGQAWUSE AND THE CATTLE KILLING OF 1857
  2. pp. 304-306
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  1. NO PERSON AROSE
  2. pp. 307-313
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  1. CHAKIJANA, THE TRICKSTER
  2. pp. 314-333
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  1. CHAKIJANA, ZULU FREEDOM-FIGHTER
  2. pp. 334-345
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  1. SO EVERYBODY WAS AFTER CHAKIJANA
  2. pp. 346-357
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  1. THE WHITES WERE TO BE KILLED
  2. p. 358
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  1. Epilogue: SEIZERS OF THE INHERITANCE
  2. p. 359
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  1. INTRODUCTION
  2. pp. 361-368
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  1. JABULANI ALONE
  2. pp. 369-394
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  1. AGE AND DEATH
  2. pp. 395-397
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  1. Notes
  2. pp. 401-420
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  1. Sources
  2. pp. 421-428
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  1. Index
  2. pp. 429-448
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