Mystic Cults in Magna Graecia

Illustrations

Illustrations 4.1. Attic black-figured amphora by the Amasis Painter. 65 4.2. Cup by the Kallis Painter, Napoli Stg. 172, Side A. 67 4.3. Cup by the Kallis Painter, Napoli Stg. 172, Side B. 67 4.4. Attic red-figured stamnos by the Villa Giulia Painter. 69 4.5. Attic red-figured volute crater from Spina, Ferrara. 70 6.1. Fragment of Apulian pottery from Ruvo, c. 350 BCE. 99 6.2. Apulian crater, Ruvo 1094. 110 6.3. Locrian pinax, Reggio Calabria 58729. 114 6.4. Locrian pinax, Reggio Calabria 21016. 115 6.5. Apulian crater, Toledo, Ohio. 116 6.6. Apulian crater from Canosa, Munich Museum 3297. 117 6.7. Apulian crater from Armento, Naples Museum SA 709. 118 6.8. Apulian amphora from Basel, Antikenmuseum 540. 119 6.9. Olbia bone tablet. 119 6.10. Apulian crater, British Museum F270. 120 8.1. The enclosure with the area of the hearths, the sacrifices by fire. 143 8.2. The enclosure after excavation seen from the east. 144 8.3. The hearths b, e, g. 144 8.4. Statuette of female offerer with piglet: Type A I. 146 8.5. Statuette of female offerer with piglet and cist placed upon the shoulder: Type B I. 147 8.6. Statuette of female offerer with piglet and cist placed upon the shoulder: Type B IIA. 148 viii Illustrations 8.7. Statuette of female offerer with piglet and cist placed upon the shoulder: Type D IIA. 149 8.8. Statuette of female deity seated on throne, low polos on her head. 150 8.9. Statuette of male offerer with piglet held to chest: Type F IA. 152 8.10. Statuette of male offerer with piglet held to chest: Type F IB. 152 8.11. Statuette of male offerer with piglet in his right hand and arm held to his side: Type G I. 153 8.12. Statuette of male offerer with piglet in his right hand and arm held to his side: Type H IA. 154 8.13. Statuette of male offerer with piglet in his right hand and arm held to his side: Type H Ib. 155 9.1. Map of the Caffarella/Pagus Triopius in suburban Rome. 162 9.2. La Caffarella from the north side of the valley. 164 9.3. Portrait bust of the emperor Augustus’s wife, Livia, as Ceres. 165 9.4. A Kanephoros or Kistophoros, carved from Hymettan marble. 167 9.5. Inscription 1 from Visconti 1794. 170 9.6. Inscription 2 from Visconti 1794, “Of Marcellus.” 171 9.7. The exterior of S. Urbano, taken from the southeast. 173 9.8. Canina’s reconstruction of the interior of S. Urbano, in section crosswise and lengthwise. 174 9.9. An altar to Dionysus. 174 9.10. Stucco representations of weaponry. 175 9.11. Stucco boss in the center of the vault of S. Urbano. 175 9.12. Photos taken inside the megaron: (a) The hatch as viewed from directly below; (b) The view from east to west of the megaron. 176 9.13. Rough plan of the megaron and tunnels and chambers. 177 9.14. Photograph of the Bosco Sacro. 178 9.15. Canina’s rendering of the Fons Egeria. 180 11.1. Feminine daimōn from the Locrian Persephoneion. 205 11.2. Grotta Caruso showing altar and (quadrated) rock. 208 11.3. Grotta Caruso showing staircase. 208 11.4. Terracotta votives from the Grotta Caruso: Kneeling females with truncated limbs and throne. 209 Illustrations ix 11.5. Terracotta votives from the Grotta Caruso: Kneeling females. 210 11.6. Terracotta plaque from the Grotta Caruso: Three female heads with Pan. 211 11.7. Terracotta from the Grotta Caruso: Three female heads with altar and tauromorph hero. 213 11.8. Detail of terracotta from Grotta Caruso (Fig. 11.7), showing outline of altar and inscription Euthymos. 214 12.1. Ekklesiasterion: Io, Hermes, and Argos. 221 12.2. Ekklesiasterion: Nile, Io, Isis, Hermanubis, Nephthys, and Harpokrates. 221 12.3. Portico: Priest with sacred asp. 223 12.4. Isis with the Body of Osiris, Sacrarium. 224 12.5. Sacrarium: Drawing, “Isis and Osiris Enthroned.” 225 12.6. Sacrarium: Osiris, “Isis and Osiris Enthroned.” 226 12.7. Ekklesiasterion: “Adoration of the Mummy.” 227 13.1. Cumae (Campaniae). The harbor area. 236 13.2. Cumae (Campaniae). Plan of the Isaeum. 238 13.3. Cumae (Campaniae). Section of the Isaeum. 240 13.4. Cumae (Campaniae...