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summary
The first in-depth analysis of how Mexican cinema has both supported and subverted the construction of a gendered and sexualized national identity.

Table of Contents

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  1. Cover
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  1. Title Page, Copyright Page
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  1. Contents
  2. pp. vi-vii
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  1. Preface: How I Too Came to Love Pedro Infante
  2. pp. viii-xiv
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  1. Acknowledgments
  2. pp. xv-xix
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  1. Introduction: Macho Nation?
  2. pp. 1-20
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  1. 1. “Midnight Virgin”: Melodramas of Prostitution in Literature and Film
  2. pp. 21-67
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  1. 2. Pedro Infante Unveiled: Masculinities in the Mexican “Buddy Movie”
  2. pp. 68-104
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  1. 3. The Last Dance: (Homo)Sexuality and Representation in Arturo Ripstein’s El lugar sin límites and the Fichera Subgenre
  2. pp. 105-134
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  1. 4. Mexico’s Third-Wave New Cinema and the Cultural Politics of Film
  2. pp. 135-162
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  1. Epilogue: Mexican Cinema is Dead! Long Live Mexican Cinema!
  2. pp. 163-179
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  1. Notes
  2. pp. 180-196
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  1. Works Consulted
  2. pp. 197-226
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  1. Index
  2. pp. 227-236
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