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Selected Bibliography essays by and interviews with filmmakers—gender, race, sexuality, class Compiled by Chiara Ferrari (California State University, Chico) Abbott, Rebecca. “The Avant-Garde in American Film: An Interview with Stan Brakhage .” Sacred Heart University Review 9, no. 1 (Fall 1988): 33–45. Abrash, Barbara. “Matters of Race: An Interview with Orlando Bagwell.” Cineaste 30, no. 1 (Winter 2004): 34–35. Acker, Ally. Reel Women: Pioneers of the Cinema, 1896 to the Present. New York: Continuum , 1991. Alba, Victoria. “A Conversation with Lynn Kirby and Trinh T. Minh-ha.” Artweek 30, nos. 7–8 (July–August 1999): 18–19. Anton, Saul. “A Search for Roots and Identity: An Interview with Tiana Thi Thanh Nga.” Cineaste 20, no. 3 (1994): 46. Areu Jones, Cathy. “Cheech Marin’s New Vision.” Hispanic, October 2001, 48–52. Aufderheide, Pat, and Debra Zimmerman. “From A to Z: A Conversation on Women’s Filmmaking.” Signs: Journal of Women in Culture and Society 30, no. 1 (2004): 1455–1472, http://www.journals.uchicago.edu/SIGNS/journal/issues/v30n1/ 300118/300118.text.html. Auster, Al, and Leonard Quart. “Counterculture Revisited: An Interview with John Sayles.” Cineaste 11, no. 1 (Winter 1980–1981): 16. Badt, Karin Luisa. “‘I Want My Films to Explode with Life’: An Interview with Mira Nair.” Cineaste 30, no. 1 (Winter 2004): 10–15. Barbash, Ilsa, and Lucien Taylor. Cross-cultural Filmmaking: A Handbook for Making Documentary and Ethnographic Films and Videos. Berkeley and Los Angeles: University of California Press, 1997. Belton, Don. “Isaac Julien: Britain’s Leading Independent Filmmaker.” Outlook 4, no. 4 (Spring 1992): 15. Beltran, Mary C. “The New Hollywood Racelessness: Only the Fast, Furious, (and Multiracial ) Will Survive.” Cinema Journal 44, no. 2 (Winter 2005): 50–67. Berry, Chris. “On Questions of Difference.” Cinemaya (India) 23 (Spring 1994): 40–43. Bielby, Denise, and William T. Bielby. “Women and Men in Film: Gender Inequality Among Writers in a Culture Industry.” Gender & Society 10, no. 3 (June 1996): 248–275. 344 chiara ferrari Binfield, Marnie. “An Interview with Lourdes Portillo.” Velvet Light Trap 55 (Spring 2005): 33–38. Birringer, Johannes. “Homosexuality and the Revolution: An Interview with Jorge Perugorria .” Cineaste 21, nos. 1–2 (1995): 21. Biskind, Peter. Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film. New York: Simon & Schuster, 2004. ———. Easy Riders, Raging Bulls: How the Sex-Drugs-and-Rock ‘n’ Roll Generation Saved Hollywood. New York: A Touchstone Book, 1998. Bobo, Jacqueline. Black Women Film and Video Artists. New York: Routledge, 1998. Bobo, Jacqueline, and Ellen Seiter. “Black Feminism and Media Criticism: The Women of Brewster Place.” In Feminist Television Criticism: A Reader, edited by Charlotte Brunsdon, Julie D’Acci, and Lynn Spiegel, 167–183. Oxford: Clarendon Press, 1997. Boccino, Joan. “A Talk with Barbara Hammer. Part One. Personal Reflections.” The Empty Chair, November 1993, 10–11. ———. “A Talk with Barbara Hammer. Part Two. Reflections on Work.” The Empty Chair, December 1993–January 1994, 10–12. Bourdier, Jean-Paul, and Trinh T. Minh-Ha. African Spaces: Designs for Living in Upper Volta. London: Africana Publishing Co., 1985. Brakhage, Stan, and Bruce R. McPherson. Essential Brakhage: Selected Writings on Filmmaking . Kingston, NY: Documentext/McPherson, 2001. Brownworth, Victoria. “Out in the World: An Interview with Barbara Hammer.” Metroline 18, no. 1 (January 1995): 18–19, 21. ———. “Reel Women: The Iconoclastic Art of Barbara Hammer.” Deneuve 5, no. 5 (October 1995): 44–47. Caldwell, John T. “Critical Industrial Practice: Branding, Repurposing, and the Migratory Patterns of Industrial Texts.” Television and New Media 7, no. 2 (2006): 99–134. ———. Televisuality: Style, Crisis, and Authority in American Television. New Brunswick , NJ: Rutgers University Press, 1995. Campbell, Loretta. “Reinventing Our Image: Eleven Black Women Filmmakers.” Heresies 16 (1983): 59–62. Cancela, Lorena. “Feminist Filmmaking Without Vanity or Sentimentality: An Interview with Sue Brooks.” Cineaste 29, no. 2 (Spring 2004): 18–21. Cantrill, Arthur, and Corinne Cantrill. “Nick Deocampo: Independent Filipino Cinema .” Cantrills’ Filmnotes 59–60 (September 1989): 5–10. ———. “Philippine Independent Film and the Mowelfund Film Institute.” Cantrills’ Filmnotes 61–62 (May 1990): 4–6. Carroll, Rebecca. “Spik(e)ing the Indie Film Punch.” The Independent Film & Video Monthly 27, no. 6 (July–August 2004): 41–47. Carson, Diane, Linda Dittmar, and Janince R. Welsch, eds. Multiple Voices in Feminist Film Criticism. Minneapolis: University of Minnesota Press, 1994. Chute, David. “John Sayles Interview: The Writer-Director of the Winning Return of the Secaucus 7 Talks About His Struggle to Go Hollywood and Still Make His Own Movies.” Film Comment 17...

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