Lexikon of the Hispanic Baroque: Transatlantic Exchange and Transformation

Illustrations

Illustrations Figure 1. Printing Press with a Heart Impressed with the Name of Charles II, engraving, in José de Buendía, Parentación real al soberano nombre e immortal memoria del Católico Rey de las Españas y Emperador de las Indias, 1701 4 Figure 2. Kingdoms and Provinces Converted by the Society of Jesus, engraving, in Johannes Bolland, Imago primae saeculi Societatis Iesu, 1640 4 Figure 3. The Ten Commandments in Spanish and Huastec, woodcut, in Juan de la Cruz, Doctrina christiana en la lengua Guasteca co[n] la lengua castellana, 1571 4 Figure 4. Sea-­Dragon Pendant, pearls, gold, and enamel, late sixteenth century, Spain 5 Figure 5. Always Himself, engraving, in Diego Saavedra Fajardo, Idea de un príncipe político christiano, 1640 7 Figure 6. Cornelis Galle I, Souls in Purgatory, engraving, 1610–1650 10 Figure 7. Cornelis Galle II, Monument Dedicated to Baltasar Carlos, Son of Philip IV, upon His Killing a Bull and a Wild Boar during a Hunt, engraving, 1642 16 Figure 8. Alpaca or Llama (an Indian Sheep), engraving, in Ulrich Schmidel, Warhafftige Historien einer wunderbaren Schiffart . . . , 1599 20 Figure 9. Franciscus Hogenberg, World Map, engraving, in Abraham Ortelius, Theatrum orbis terrarum, 1570 24 Figure 10. World Map of the Kingdom of the Indies of Peru with the Four-­Part Division of the Inca Empire of Tawantinsuyu, pen and ink on paper, in Felipe Guaman Poma de Ayala, El primer nueva corónica y buen gobierno, ca. 1615 28 Figure 11. Melchor Alfaro de Santa Cruz, Map of the Province of Tabasco, relación geográfica, 1579 30 Figure 12. Map of Tamiagua and Tamtotol (Veracruz), 1583 31 Figure 13. Abraham Ortelius, El Escorial, engraving, 1591 34 Figure 14. The City of the Kings of Lima, Royal High Court, Principal City of the Kingdom of the Indies, Residence of the Viceroy, and Archbishopric of the Church (La Ciudad de los Reyes de Lima), pen and ink on paper, in Felipe Guaman Poma de Ayala, El primer nueva corónica y buen gobierno, ca. 1615 38 Figure 15. True Image of a Papist Church, engraving, ca. 1600 42 Figure 16. Juan de Herrera (architect), High Altar, 1595 (completed), Basilica of San Lorenzo de El Escorial 43 Figure 17. Camarín of the Virgin of Victory, 1727–1797, Church of the Victory, Málaga 44 Figure 18. José de Bada and Jacinto Morató, Camarín of the Virgin of the Rosary, begun 1710–1720, completed 1773, Church of Santo Domingo, Granada 44 Figure 19. High Altar, late seventeenth century, Parish Church of San Pedro Andahuaylillas, Peru 46 Figure 20. Tomás Roldán, Angel on the Toral Arch, polychrome and gilded wood, before 1650, Church of Tópaga, Colombia 48 Figure 21. Tabernacle-­Ark, gilded wood, 1745, Church of the Company of Jesus, Quito, Ecuador 48 Figure 22. Crossing and Transept Altar, first quarter of the eighteenth century, Church of Santa María Tonantzintla, Puebla, Mexico 49 Figure 23. Domingo de Andrade, Pórtico Real, 1696– 1700, Cathedral of Santiago de Compostela 52 Figure 24. Original design by Sebastián Herrera Barnuevo (completed by Pedro de Ribera), Church of Nuestra Señora de Montserrat, 1668–1733, Madrid 53 Figure 25. Fernando de Casas y Novoa, Obradoiro (west) facade, 1739–1750, Cathedral of Santiago de Compostela 54 Figure 26. Cathedral of Cusco, ca. 1550–1700 56 Figure 27. Juan Tomás Tuyru Túpac (designer), Church of San Pedro, construction begun 1699, Cusco 59 Lexikon of the Hispanic Baroque viii Figure 28. Pedro Teixeira, Topographia de la Villa de Madrid, engraving, 1656 62 Figure 29. Antonio Manzelli, Verdadero retrato del suntuoso edifiçio de la plaça de la muy noble Villa de Madrid, engraving, ca. 1623 63 Figure 30. View and Plan of the City of Santiago, engraving, in Alonso de Ovalle, Histórica relación de reyno de Chile, 1646 66 Figure 31. Jost Amman, The Spanish Priest, woodcut, in Hans Weigel, Habitus praecipuorum populorum . . . , 1639 70 Figure 32. Jost Amman, The Spanish Priest’s Concubine, woodcut, in Hans Weigel, Habitus praecipuorum populorum . . . , 1639 72 Figure 33. Joseph Morales, The Venerable Father Ignacio Raphael Coromina of the Society of Jesus, Apostle of Guanajuato, engraving, 1764 74 Figure 34. Attributed to Francisco Bejarano, Confession of a Noble Inca, engraved copper plate, ca. 1612–1620 86 Figure 35. The Habits of the Nuns of New Spain, oil on canvas, eighteenth century, Mexico 94 Figure 36. Engraved frontispiece to Francisco de Quevedo y Villegas, Obras...