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summary
Opening a stimulating dialogue between cognitive studies and cultural studies, On Anger uses narratives such as the film Crash, Maxine Hong Kingston’s The Woman Warrior, and the HBO series The Wire to argue that race is central to our conceptions and experiences of anger.

Table of Contents

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  1. Cover
  2. p. 1
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  1. Title Page, Copyright Page
  2. pp. 2-7
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  1. Contents
  2. pp. vii-viii
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  1. Acknowledgments
  2. pp. ix-x
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  1. Introduction
  2. pp. 1-12
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  1. 1. Anger as Cognition
  2. pp. 13-42
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  1. 2. Anger as Culture
  2. pp. 43-69
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  1. 3. Liberal Anger: Technologies of Anger in Crash
  2. pp. 70-83
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  1. 4. Temporality and the Politics of Reading Kingston’s The Woman Warrior
  2. pp. 84-100
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  1. 5. Anger and Space in Dangarembga’s Nervous Conditions and The Book of Not
  2. pp. 101-128
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  1. 6. Estranging Rage: Ngugi’s Devil on the Cross and Wizard of the Crow
  2. pp. 129-151
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  1. 7. “This Game Is Rigged”: The Wire and Agency Attribution
  2. pp. 152-174
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  1. Conclusion. Anger and Outrage
  2. pp. 175-178
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  1. Notes
  2. pp. 179-194
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  1. Works Cited
  2. pp. 195-208
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  1. Index
  2. pp. 209-215
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