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summary
Tracing the Islamization of Egyptian celebrities and their fans and the emergence of an Islamic aesthetics, this book offers a unique history of the religious revival in Egypt through the lens of the performing arts.

Table of Contents

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  1. Cover
  2. p. C
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  1. Title Page, Copyright Page
  2. pp. i-viii
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  1. Acknowledgments
  2. pp. ix-xii
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  1. Introduction
  2. pp. 1-12
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  1. Part One. The 1980s: Celebrating Piety
  2. pp. 13-21
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  1. 1. Dreams, Spirituality, and the Piety Movement
  2. pp. 22-43
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  1. 2. Repentance, Daʿwah, and Religious Education
  2. pp. 44-66
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  1. 3. Veiling and Charity
  2. pp. 67-88
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  1. Part Two. The 1990s: Debating Religion, Gender, and the Performing Arts in the Public Sphere
  2. pp. 89-97
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  1. 4. The Islamist (Counter)public
  2. pp. 98-120
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  1. 5. The Secular Cultural Field
  2. pp. 121-145
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  1. 6. Changing Discourses on Art and Gender
  2. pp. 146-174
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  1. Part Three. The New Millennium: Performing Piety
  2. pp. 175-183
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  1. 7. Art with a Mission and Post-Islamism
  2. pp. 184-205
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  1. 8. Halal Weddings and Religious Markets
  2. pp. 206-232
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  1. 9. Ramadan Soaps and Islamic Aesthetics
  2. pp. 233-258
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  1. Afterword
  2. pp. 259-274
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  1. Notes
  2. pp. 275-290
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  1. Glossary
  2. pp. 291-296
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  1. Bibliography
  2. pp. 297-310
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  1. Index
  2. pp. 311-320
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