-
Index
- University of Texas Press
- Chapter
- Additional Information
acculturation, 165n35 actos, 83 Acuña, Rodolfo, 15, 162n13, 165nn30–31 Adelita, 118, 173n10 African American(s), and zoot suit culture , 51, 52, 61, 66, 67, 68, 73, 82, 87, 89, 90, 95, 104, 189, 171n4, 175n4, 178n58, 179n59, 181n91 Agustín, José, 55–56, 67, 176n29 AIDS, 120, 152, 153, 157, 192n8, 193n16, 195n62 albur, 22 Alfaro, Luis, xv, 141, 156, 192n14 Almaraz, Carlos/Charles, 142, 143, 145– 148 150, 193n16 Althusser, Louis, 177n32 Americanized, 24, 171 Anzaldúa, Gloria E., xvi, xviii, 108, 119, 132, 140, 146, 187n3, 187n7, 187n10, 191nn100–101, 192nn6–9, 194n34, 194n53 ardillitas, las (Guerrero, L.), xv, 193n16 Arrizón, Alicia, 39, 106, 121, 173n10, 174n27, 174n29, 187n4, 190n71 assimilation(ist), 3, 24, 25, 27, 34, 57, 110, 119, 123 Atracciones Noloesca, xvii, 39 aventuras de Don Chipote o cuando los pericos mamen, Las (Venegas), xvi, 1– 23, 31, 167n52 Ayala, Pedro, 73 Aztlán-Africa: Songs of Affinity (Gait án), 188n14 index Baca, Judith, 116, 117, 126, 127, 135 Bacall, Lauren, 151 Bakhtin, Mikhail, xvi-xvii, 2, 5, 7–10, 12–14, 18, 28, 30, 164n22, 164n26, 164n29, 165n34, 165n37, 166n44, 167n53, 167n63, 168n69, 172n109 Balibrea Enríque, María Paz, 169n75, 169n80 bilingualism, 4 biological family, 140, 151 body: abused, 15; battered, 15; beaten, 15; bruised, 16; brutalized, xvi; cultured , 30; deformed, 15; and empowering , 109; exploited, xvi, 1; functions , 28; human, physical, 14, 15, 18, 20, 167n63; image, 119; immigrant, 18; as instrument, 2; laborer(ing), 1, 2, 14, 16, 18; medieval, 30; peladito’s 18; and performance, 20; and queer sexuality, 122, 145–146, 149; reified, 16; and synecdoche, 16; and work, 14, 16 border, U.S.-Mexico, xviii, 5, 8, 9, 19, 25, 32, 33, 53, 55, 56, 64, 74, 77, 87, 95, 115, 126, 128, 135, 159. See also border(s) border(s): and Caló, 67; Chihuahua/ Texas, 74, 79–80, 164n28; and crossing , 165n31, 165n35; cultural, xv; and cultural productions, xviii, 103; and historical background, 50; and humiliation , 8; and language, 66; in Montoya’s poem, 51; and music, 208 wild tongues border(s) (continued) 99; and pachucos, xviii, 81, 103, 104; and peladita/pachuca, 108, 110; and profit, 130; and Spanish television , 69; Studies Center in Northern Mexico, 162n12; and teatro de carpa, xvi; transnational, xv; and women, 107, 108, 110. See also border, U.S.-Mexico Borderlands/La Frontera (Anzaldúa), 187n7 Borderlands Theater, 120 “borrachita, La,” 97–99 “bracero y la Pachuca, El,” 101–103 Brecht, Bertold, 83 Broadway, 143, 145, 151, 193n29, 194n50 Broyles-González, Yolanda, xviii, 20, 32, 41, 83, 84, 85, 107, 108, 109, 118, 123–124, 161n4, 169n77, 170n82, 170n84, 173n6, 173n9, 184n133, 184n137, 185n138, 185n141, 185n147, 185n153, 185n155, 186n160, 187nn8–9, 188n15, 188n19, 188n31, 189n53, 189n56, 190n76, 190n78, 191n90, 191n93, 191n96, 191n98, 194n55, 195n70 Callaway, Cab, 68 Caló: and Chicano dialect, 4; and César Chávez, 84; and drugs and alcohol, 67; etymology, xvi; and Gypsy language , 181n95; and humor, 5; and Mexico, 67; and Montoya’s poem, 51; and music, 79, 80, 91, 96, 97, 101, 193n16; and the pachucada, 52, 66, 128; uses of xvi; and Valdés, 68, 74, 77, 176n25, 182n102, 182n109; and Valdez, 85; in Zoot Suit, 87 Cantinflas. See Moreno, Mario carcajadas, xiii Cárdenas presidency, 169n75 carnivalesque, xvii carpa: and Cantinflas, 19, 20; and La Chata, xvii, 38, 41, 48; and comedic literary figures, 7; and the community , 27, 33, 169n74; definition, 161n4, 188n31; and Don Chipote, xvi, 2; and humor, 26; and identity, 38, 169n75; and language, 127; in Mexico , 36; and the middle class, 28; and mime, 20; origins of, 26, 32; and the pachucada, 53; and the peladito/ a, 1, 2, 18, 23, 24, 29, 32, 114, 188n32; and rebellion, 27, 114; and El Teatro Campesino, 83; and Teatro de revista, 33; and Valdés, 53, 77, 176n25; and La Willy, 32, 36, 37, 38; and women, 34, 36, 50 Chávez, César, 83, 84, 125, 134, 154, 155 Chávez, Denise, 120 Chávez, Dolores, xiii Chávez, Marcelo, 69, 74, 182nn106–107 Chicana(s): and AIDS, 120; activist, xviii, 108, 152; artist, xv, xviii, 108, 152; on Broadway, 141; and cholas, 127; community, 54, 57, 83, 128, 141, 142; critics, xviii; and cultural productions , 54, 55, 110, 119, 121, 163n19, 193n17; and culture(s), 40, 74, 87, 104, 115, 122, 153, 154; and empowerment, 107; exploitation of, 3; and families, 126, 131; gender roles, 107, 110, 111, 113...