In this Book

buy this book Buy This Book in Print
summary
In the first anthology of its kind in English, leading Israeli film scholars explore how one of the world’s most exciting emerging cinemas has become a vibrant site for the representation of Israeli realities.

Table of Contents

restricted access Download Full Book
  1. Cover
  2. restricted access
    • Download PDF Download
  1. Title Page, Copyright
  2. restricted access
    • Download PDF Download
  1. Contents
  2. pp. v-vii
  3. restricted access
    • Download PDF Download
  1. Introduction
  2. pp. ix-xvii
  3. restricted access
    • Download PDF Download
  1. Part 1: The Nation Imagined on Film
  2. pp. 1-40
  3. restricted access
    • Download PDF Download
  1. 1. Filming the Homeland: Cinema in Eretz Israel and the Zionist Movement, 1917–1939
  2. pp. 3-15
  3. restricted access
    • Download PDF Download
  1. 2. Helmar Lerski in Israel
  2. pp. 16-29
  3. restricted access
    • Download PDF Download
  1. 3. Ecce Homo: The Transfiguration of Israeli Manhood in Israeli Films
  2. pp. 30-40
  3. restricted access
    • Download PDF Download
  1. Part II: War and Its Aftermath
  2. pp. 41-109
  3. restricted access
    • Download PDF Download
  1. 4. From Hill to Hill: A Brief History of the Representation of War in Israeli Cinema
  2. pp. 43-58
  3. restricted access
    • Download PDF Download
  1. 5. From Hero to Victim: The Changing Image of the Soldier on the Israeli Screen
  2. pp. 59-69
  3. restricted access
    • Download PDF Download
  1. 6. The Lady and the Death Mask
  2. pp. 70-83
  3. restricted access
    • Download PDF Download
  1. 7. Coping with the Legacy of Death: The War Widow in Israeli Films
  2. pp. 84-95
  3. restricted access
    • Download PDF Download
  1. 8. The Privatization of War Memory in Recent Israeli Cinema
  2. pp. 96-109
  3. restricted access
    • Download PDF Download
  1. Part III: An Ethno-Cultural Kaleidoscope
  2. pp. 111-148
  3. restricted access
    • Download PDF Download
  1. 9. Disjointed Narratives in Contemporary Israeli Films
  2. pp. 113-119
  3. restricted access
    • Download PDF Download
  1. 10. Trajectories of Mizrahi Cinema
  2. pp. 120-133
  3. restricted access
    • Download PDF Download
  1. 11. Immigrant Cinema: Russian Israelis on Screens and behind the Cameras
  2. pp. 134-148
  3. restricted access
    • Download PDF Download
  1. Part IV: Holocaust and Trauma
  2. pp. 149-198
  3. restricted access
    • Download PDF Download
  1. 12. The Holocaust in Israeli Cinema as a Conflict between Survival and Morality
  2. pp. 151-167
  3. restricted access
    • Download PDF Download
  1. 13. Near and Far: The Representation of Holocaust Survivors in Israeli Feature Films
  2. pp. 168-180
  3. restricted access
    • Download PDF Download
  1. 14. Homonational Desires: Masculinity, Sexuality, and Trauma in the Cinema of Eytan Fox
  2. pp. 181-198
  3. restricted access
    • Download PDF Download
  1. Part V: Jewish Orthodoxy Revisited
  2. pp. 199-238
  3. restricted access
    • Download PDF Download
  1. 15. Negotiating Judaism in Contemporary Israeli Cinema: The Spiritual Style of My Father, My Lord
  2. pp. 201-212
  3. restricted access
    • Download PDF Download
  1. 16. Seeking the Local, Engaging the Global: Women and Religious Oppression in a Minor Film
  2. pp. 213-224
  3. restricted access
    • Download PDF Download
  1. 17. Beaufort and My Father, My Lord: Traces of the Binding Myth and the Mother’s Voice
  2. pp. 225-238
  3. restricted access
    • Download PDF Download
  1. Part VI: Filming the Palestinian Other
  2. pp. 239-310
  3. restricted access
    • Download PDF Download
  1. 18. The Foreigner Within and the Question of Identity in Fictitious Marriage and Streets of Yesterday
  2. pp. 241-256
  3. restricted access
    • Download PDF Download
  1. 19. A Rave against the Occupation? Speaking for the Self and Excluding the Other in Contemporary Israeli Political Cinema
  2. pp. 257-275
  3. restricted access
    • Download PDF Download
  1. 20. Borders in Motion: The Evolution of the Portrayal of the Israeli-Palestinian Conflict in Contemporary Israeli Cinema
  2. pp. 276-293
  3. restricted access
    • Download PDF Download
  1. 21. Smashing Up the Face of History: Trauma and Subversion in Kedma and Atash
  2. pp. 294-310
  3. restricted access
    • Download PDF Download
  1. Part VII: New Cinematic Discourses
  2. pp. 311-355
  3. restricted access
    • Download PDF Download
  1. 22. Discursive Identities in the (R)evolution of the New Israeli Queer Cinema
  2. pp. 313-325
  3. restricted access
    • Download PDF Download
  1. 23. Kibbutz Films in Transition: From Morality to Ethics
  2. pp. 326-339
  3. restricted access
    • Download PDF Download
  1. 24. The End of a World, the Beginning of a New World: The New Discourse of Authenticity and New Versions of Collective Memory in Israeli Cinema
  2. pp. 340-355
  3. restricted access
    • Download PDF Download
  1. Contributors
  2. pp. 357-362
  3. restricted access
    • Download PDF Download
  1. Index
  2. pp. 363-373
  3. restricted access
    • Download PDF Download
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.