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203 B i b l i o g r a p h y Beckett Primary Beckett, Samuel. Proust. London: Chatto and Windus, 1931. ———. Waiting for Godot. New York: Grove, 1954. ———. Endgame. London: Faber, 1964. ———. Film. New York: Grove, 1969. ———. Watt. London: Calder, 1976. ———. Ill Seen Ill Said. Nohow On. New York: Grove, 1981. 47–86. ———. Disjecta. London: Calder, 1983. ———. “Three Dialogues.” Disjecta. London: Calder, 1983. 138–45. ———. Worstward Ho. Nohow On. New York: Grove, 1983. 87–116. ———. Collected Shorter Plays. New York: Grove, 1984. ———. Le Monde et le Pantalon. Paris: Les Editions Minuit, 1989. ———. The Trilogy: Molloy, Malone Dies, The Unnamable. London: Calder, 1994. ———. John Pilling, ed. Beckett’s “Dream” Notebook. Reading: Beckett International Foundation, 1999. Beckett on Film. 2001. Blue Angel Films/Tyrone Productions for Radio Telefís Éireann and Channel 4. Beckett Secondary Abbott, H. Porter. “Samuel Beckett and the Arts of Time: Painting, Music, Narrative .” Samuel Beckett and the Arts: Music, Visual Arts, and Non-Print Media. Ed. Lois Oppenheim New York: Garland, 1999. 7–24. Ackerley, Chris. Demented Particulars: The Annotated Murphy. Tallahassee: Journal of Beckett Studies Books, 1998. 204 Bibliography Acheson, James. “Madness and Mysticism in Beckett’s Not I.” AUMLA 55 (May 1981): 91–101. Albright, Daniel. Beckett and Aesthetics. Cambridge: Cambridge University Press, 2003. Armstrong, Gordon. Samuel Beckett, W. B. Yeats, and Jack Yeats: Images and Words. Lewisburg: Bucknell University Press, 1990. Bair, Deirdre. Samuel Beckett: A Biography. London: Cape, 1978. Baldwin, Hélène. Samuel Beckett’s Real Silence. University Park: Pennsylvania State University Press, 1981. Barge, Laura. God, the Quest, the Hero: Thematic Structures in Beckett’s Fiction. Chapel Hill: North Carolina Studies in the Romance Languages and Literatures , University of North Carolina, Department of Romance Languages , 1988. Begam, Richard. “Splitting the Différance: Beckett, Derrida and the Unnamable.” Modern Fiction Studies 38.4 (1992): 873–92. Ben-Zvi, Linda. “Samuel Beckett, Fritz Mauthner, and the Limits of Language.” PMLA 95 (1980): 183–200. ———. Samuel Beckett. Boston: Twayne, 1986. ———. “Not I: Through a Tube Starkly.” Samuel Beckett: Teleplays. Vancouver Art Gallery, 1988. 21–27. Birkett, Jennifer, and Kate Ince, eds. Samuel Beckett. London: Longman, 2000. Blau, Herbert. Sails of the Herring Fleet. Ann Arbor: University of Michigan Press, 2000. Brater, Enoch. “Noah, Not I, and Beckett’s Incomprehensibly Sublime.” Comparative Drama 8.3 (1974): 254–63. ———. “The Thinking Eye in Beckett’s Film.” Modern Language Quarterly 36 (1975): 166–76. ———. Beyond Minimalism: Beckett’s Late Style in the Theatre. Oxford: Oxford University Press, 1987. Breuer, Rolf. Die Kunst der Paradoxie: Sinnsuche und Scheitern bei Samuel Beckett. Munich: Fink, 1976. Brienza, Susan. Samuel Beckett’s New Worlds: Style in Metafiction. Norman: University of Oklahoma Press, 1987. Bryden, Mary. “Figures of Golgotha: Beckett’s Pinioned People.” The Ideal Core of the Onion: Reading Beckett Archives. Ed. John Pilling and Mary Bryden. Reading: Beckett International Foundation, 1992. 45–62. ———. Women in Samuel Beckett’s Prose and Drama: Her Own Other. Lanham: Barnes and Noble, 1993. ———. Samuel Beckett and the Idea of God. Houndmills: Macmillan, 1998. Butler, Lance St. John. Samuel Beckett and the Meaning of Being: A Study in Ontological Parable. London: Macmillan, 1984. Buning, Marius. “Samuel Beckett’s Negative Way: Intimations of the ‘Via Negativa ’ in his Late Plays.” European Literature and Theology in the Twentieth [3.144.84.155] Project MUSE (2024-04-23 14:14 GMT) Bibliography 205 Century: Ends of Time. Ed. D. Jaspers and C. Crowden. London: Macmillan, 1990. 129–42. Burkman, Katherine, ed. Myth and Ritual in the Plays of Samuel Beckett. Rutherford : Fairleigh Dickinson University Press, 1987. Calder, John, ed. Beckett at Sixty: A Festschrift. London: Calder, 1967. ———. The Philosophy of Samuel Beckett. London: Calder, 2001. Cavell, Stanley. “Ending the Waiting Game.” Must We Mean What We Say? A Book of Essays. Cambridge: Cambridge University Press, 1969. 117–37. Clurman, Harold. The Divine Pastime; Theatre Essays. New York: Macmillan, 1974. Coe, Richard. Beckett. Edinburgh: Oliver and Boyd, 1964. ———. “God and Samuel Beckett.” Twentieth-century Interpretations of Molloy, Malone Dies, The Unnamable. Ed. J. D. O’Hara. Englewood Cliffs: PrenticeHall , 1970. 91–113. Cohn, Ruby. Just Play: Beckett’s Theatre. Princeton: Princeton University Press, 1980. Cohn, Ruby, ed. Disjecta: Miscellaneous Writings and a Dramatic Fragment by Samuel Beckett. London: Calder, 1983. Connor, Steven. Samuel Beckett: Repetition, Theory and Text. Oxford: Blackwell, 1988. Deleuze, Gilles. “L’épuisé.” Samuel Beckett. Quad et Trio du Fantôme. . . . que nuages . . . , Nacht und Träume, L’épuisé par Gilles Deleuze. Paris: Minuit, 1992. 57–106. Dobbs, Michael. “Waiting for the Author of ‘Waiting...

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