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Index Abduction, 110, 112, 175–176n10. See also Creativity Aesthetic judgment, 113–114 Agency, 38, 40–41, 46–47, 103, 116, 144–145, 167–168 Aman, Klaus, 4, 17 Apprenticeship, 50, 51–53, 58, 62–63, 67, 71, 78, 94, 98, 104–105. See also Experiential knowing; Learning newcomers and old-timers, 51–52, 78–79, 110, 113, 173n1 Architecture, 46 Art, 46 Artifact, research, 68–69, 173n8 movement, 69, 74, 90 shearing, 123–124, 137–138, 144 Audience, 157–158, 168 Author, 47, 167–168 Bakhtin, Mikhail, 36 Barsalou, Lawrence, 163–164 Barthes, Roland, 39, 167, 171n3 Beaulieu, Anne, 15, 43–44, 143, 147, 149 Body, 6–7, 8, 50, 67, 69, 71, 77, 78, 81–82, 83–84, 88–91, 121, 160 as a fluid site of potential, 6 multiple, 68, 83–84, 88–91, 166 as a semiotic mean, 78 Brain cortex, 29 as a map, 28, 29, 43 Brain mapping, 28, 125 Cartwright, Lisa, 4, 7, 64, 125 Cascades of representations, 99 Categorization, 64, 125, 145 Cognitive neuroscience, 5–6, 80, 161–162 and social science, 160–162 Cognitive science, theories in, 156, 165 Cognitive semantics, 156, 165 Complexity, 159. See also Conceptual integration/blending theory; Fictive motion Conceptual integration/blending theory, 107, 109, 165, 177n Conceptual scaling, 156–157 Connectionism, 31 Connotation, 39–40 Constant visibility, 50, 64–65 Conversation analysis, 7, 10–11, 126–127 transcription, 59, 126–127 Coordination of interaction and manual work, 121, 126, 131–132, 141, 145 Coordination of semiotic fields, 105–108, 110, 118–119 Cortical maps, 30–31, 33, 125 Creativity, 110, 112, 122, 148, 152, 157–158, 167. See also Abduction Cultural artifact, 103 Cyborg visuality/seeing, 2, 35–36, 169n1 196 Index Decade of the brain, 5, 161 Diagrammatic reasoning, 156, 165 Digital screens, 142, 144 interaction with, 3–4, 5, 14, 18, 45–47, 68, 81–82, 93, 107–109, 115, 130, 133 Distributed cognition, 20, 117–118, 165, 176n13 systems, 12, 47, 65, 118, 144–145, 169n7 Doing, Park, 15–16 Dourish, Paul, 177n5 Dreyfus, Herbert, 133 Dumit, Joseph, 166–167, 170n10–11 Eco, Umberto, 24, 25, 39, 121, 149, 170n12, 172n4 Effects of similarity, 25, 28, 121, 145 Embodiment in cognitive neuroscience and fMRI, 5–6, 7, 54–55, 56–57, 67–68, 69, 162–163 in feminist studies of science and technology, 6–7, 83 in postphenomenological studies of science and technology, 6–7 Environmentally coupled gestures, 143 Ethnography, 12–14, 15, 17, 20, 53, 148, 160–162 Ethnomethodology, 7, 10, 13, 20 Experiential knowing, 51, 61–65, 78–79, 82, 145 Experimental subject, 1, 52, 53–55, 56–57, 63, 67, 69, 80–82, 89, 90–91. See also Imaged body Fauconnier, Gilles, 109, 165, 177n7 Feeling, 79, 82. See also Experiential knowing Fictive motion, 132 Fields for interaction, scientific visuals as, 17–18, 24, 46, 67, 81–82, 93, 103, 105, 110, 118–120, 130, 132–133, 134, 145, 147, 158, 160. See also fMRI visuals; Scientific visuals fMRI culture, 124, 125–126, 147, 154–155, 157 fMRI laboratory, 12–14, 174n fMRI scanning, 53–55, 70 fMRI seeing, 2–3, 49, 73, 78, 93, 95, 97–98, 105–106, 110, 113, 115, 116–117, 120, 123, 133–134, 145 as collaborative, 123, 130 as cultural, 157 as multimodal, 49, 71, 78, 95, 98, 105, 113, 115, 116–117, 120 as practical action, 3, 36, 43, 45–46, 109, 120, 131, 133, 145 as superseeing, 35–36 fMRI software, 122–123, 125–126 fMRI visuals, 1–2, 6, 17–18, 23, 40, 69, 71, 81–82, 91, 93, 100, 105–106, 120, 142, 156, 167–168 boundaries of, 45–47 color, 33–34, 109–110, 152–153, 154–155, 175n9 diagrammatic character of, 42–43, 45, 162 digitality of, 2–3, 4, 5, 15, 17–18, 24, 26–27, 35–36, 45, 67, 109–110, 121, 125, 130, 133, 139, 142, 145, 156, 160, 175n7 functional image, 40, 58–59, 123 as iconic signs, 26–27, 28, 41, 43, 115–116, 121, 145, 167–168 as images, 44–45, 145, 147, 171n9 as indexical signs, 23, 147 labels, 32–33, 37–38, 171–172n12 localizer scan, 58–59 as maps, 171n9 quantitative character of, 43–44, 152, 155–156 structural image, 33, 40, 58–59, 123 visual character of, 26–27, 45–46, 142, 147–149, 150, 152, 155–157 Foucault, Michel, 6, 49–50, 65, 90 [18.118.195.162] Project MUSE (2024-04-18 01:37...

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