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While philosophy believes it is impossible to have an experience of God without the senses, theology claims that such an experience is possible, though potentially idolatrous. In this engagingly creative book, John Panteleimon Manoussakis ends the impasse by proposing an aesthetic allowing for a sensuous experience of God that is not subordinated to imposed categories or concepts. Manoussakis draws upon the theological traditions of the Eastern Church, including patristic and liturgical resources, to build a theological aesthetic founded on the inverted gaze of icons, the augmented language of hymns, and the reciprocity of touch. Manoussakis explores how a relational interpretation of being develops a fuller and more meaningful view of the phenomenology of religious experience beyond metaphysics and onto-theology.

Table of Contents

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  1. Cover
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  1. Contents
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  1. Acknowledgments
  2. p. xi
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  1. List of Abbreviations
  2. p. xiii
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  1. Introduction
  2. pp. 1-6
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  1. PART ONE. SEEING
  2. p. 7
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  1. Allegory
  2. pp. 9-11
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  1. 1. The Metaphysical Chiasm
  2. pp. 13-34
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  1. 2. The Existential Chiasm
  2. pp. 35-56
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  1. 3. The Aesthetical Chiasm
  2. pp. 57-70
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  1. PART TWO. HEARING
  2. p. 71
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  1. Allegory 2
  2. pp. 73-74
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  1. 4. Prelude: Figures of Silence
  2. pp. 75-92
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  1. 5. Interlude: Language beyond Difference and Otherness
  2. pp. 93-108
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  1. 6. Postlude: The Interrupted Self
  2. pp. 109-116
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  1. PART THREE. TOUCHING
  2. p. 117
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  1. Allegory 3
  2. pp. 119-121
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  1. 7. Touch Me, Touch Me Not
  2. pp. 123-142
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  1. 8. The Sabbath of Experience
  2. pp. 143-157
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  1. Notes
  2. pp. 159-197
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  1. Bibliography
  2. pp. 199-210
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  1. Index
  2. pp. 211-213
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