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"This book adds an entirely new dimension to the consideration of Humanism and Italian culture. It will make a welcome addition to the field of cultural studies by broadening the subject to consider an important source of information that has been previously overlooked." -- Timothy McGee

The Eloquent Body offers a history and analysis of court dancing during the Renaissance, within the context of Italian Humanism. Each chapter addresses different philosophical, social, or intellectual aspects of dance during the 15th century. Some topics include issues of economic class, education, and power; relating dance treatises to the ideals of Humanism and the meaning of the arts; ideas of the body as they relate to elegance, nobility, and ethics; the intellectual history of dance based on contemporaneous readings of Pythagoras and Plato; and a comparison of geometric dance structures to geometric order in Humanist architecture.

Table of Contents

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  1. Cover
  2. pp. i-v
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  1. Contents
  2. p. vii
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  1. Acknowledgments
  2. pp. ix-x
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  1. Introduction
  2. pp. 1-11
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  1. 1. Dance and Society
  2. pp. 12-57
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  1. 2. The Dance Treatises and Humanist Ideals
  2. pp. 58-74
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  1. 3. Eloquent Movement-Eloquent Prose
  2. pp. 75-103
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  1. 4. Dance and the Intellect
  2. pp. 104-118
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  1. 5. Order and Virtue
  2. pp. 119-130
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  1. Conclusion
  2. pp. 131-140
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  1. Appendix 1. Transcription and Translation of MS from Florence, Biblioteca Nazionale Magl. VII 1121, f. 63r–69v
  2. pp. 141-157
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  1. Appendix 2. The Use of Mensuration Signs as Proportion Signs in the Dance Treatises
  2. pp. 158-160
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  1. Appendix 3. Floor Track and Music of Anello, Ingrata,Pizochara, and Verceppe
  2. pp. 161-188
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  1. Notes
  2. pp. 189-221
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  1. Bibliography
  2. pp. 223-240
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  1. Index
  2. pp. 241-247
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