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II III IV V VI VII VIII IX X XI XII XIII CONTENTS 0 00 PREFACE ix The First Raptus, and All Subsequent Ones The Sounds of Involvement Technique as Touch Tempo and the Pacing of Musical Ideas Dynamic Nuance and Musical Line The Role of Silence Sound as Color The Sonatas Descriptive Music: Op. 81a, Op. 13 Motivic Development: Op. 2 NO.1, Op. 57, Op. 110 Quasi una Fantasia: Op. 27 Nos. 1 and 2, Op. 26 Line and Space: Op. 2 NO.2, Op. 101 Movement as Energized Color: Op. 53 The Moment of Creation: Op. 28, Op. 31 Nos. 2 and 3 Facing Two Directions: Op. 49 Nos. 1and 2, Op. 54, Op. 78, Op. 90 9 33 40 48 54 113 128 144 159 191 XIV XV XVI XVII XVIII Contents viii The Enjoyment of Fluency: Op. 10 Nos. 2 and 3, Op. 14 No.2, Op. 22, Op. 31 NO.1, Op. 79 The Cosmopolitan Impostor: Op. 2 NO.3, Op. 14 NO.1 Embracing the Dachstein: Op. 7, Op. 106 A Higher Revelation: Op. 10 NO.1, Op. 109, Op. 111 The Witness Tree NOTES 311 INDEX 317 211 239 259 280 305 ...

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