In lieu of an abstract, here is a brief excerpt of the content:

ILLUSTRATIONS EXAMPLES Example 1.1. Excerpt from Sigismondo d’India, Lamento di Didone (1623) 10 Example 1.2. “Tremoletto” from Martin Fuhrmann, Musicalischer Trichter 19 Example 2.1. Sigismondo d’India, O dolcezz’amarissime d’amore (1609) 35 Example 2.2. Tosi’s trills (as realized by Agricola): (a) trillo maggiore; (b) trillo minore; (c) mezzotrillo; (d) trillo raddoppiato; (e) trillo raddoppiato; (f) trillo mordente 37 Example 2.3. Chain of trills (Johann Friedrich Agricola) 38 Example 8.1a. Petronio Franceschini: Sonata in D, mvt. 2 139 Example 8.1b. Maurizio Cazzati: Sonata 5, La Caprara, Op. 35, no. 10, mvt. 1 140 Example 8.1c. Cazzati: La Caprara, mvt. 4 140 Example 8.2. Petronio Franceschini: Sonata in D: (a) mvt. 1; (b) mvt. 3 140 Example 8.3. Girolamo Fantini: Sonata No. 5, detta dell’Adimari 144 Example 9.1. Marin Mersenne, Harmonie universelle, drum rhythms 153 Example 9.2. Wirbel and doppel-wirbel (from Johann Ernst Altenburg, Versuch einer Anleitung) 161 Example 9.3. Final-cadence (from Speer, Musikalisches Kleeblatt) 162 Example 9.4. (a) Cross-stickings; (b) double cross-stickings; (c) eight-note or simple beatings 163 Example 9.5. (a) Simple tonguings as notated and realized; (b) double tonguings as notated and realized; (c) extended double tonguings as notated and realized; (d) carrying tonguings as notated and realized 164 Examples 11.1a–b. Georg Muffat bowing examples 197 Example 11.2. Gasparo Zannetti’s La Nimfardina di Santino 201 Example 11.3. Seventeenth-century bowing examples 202 Example 14.1a. Johann Jakob Froberger, Toccata 1 in A minor, mm. 1–3 262 Example 14.1b. Louis Couperin, Prélude à l’imitation de Mr. Froberger (excerpt) 262 Example 15.1. The correct sequence for playing arpeggios 274 Example 15.2. Added dissonance to simplify left-hand fingering 283 Example 15.3a. Fourteen-course archlute 288 Example 15.3b. Fourteen-course theorbo 288 Example 15.3c. Ten-course lute in Renaissance tuning (vieux ton) 288 Example 15.3d. Eleven-course lute in D-minor tuning 288 Example 15.3e. À cordes avalées 289 Example 15.3f. French flat tuning 289 Example 15.3g. French sharp tuning 289 Example 15.3h. Gallichon 289 viii Illustrations Example 15.3i. Angélique 289 Example 15.3j. Baroque guitar tunings 290 Example 15.3k. Mandore 290 Example 15.31. Mandolino 290 Example 16.1. Aurelio Virgiliano: Il dolcimelo (ca. 1590) 298 Example 16.2. Aurelio Virgiliano: Il dolcimelo (ca. 1590) 298 Example 16.3. Aurelio Virgiliano: Il dolcimelo (ca. 1590) 299 Example 16.4. Giulio Caccini: Le nuove musiche (1602) 300 Example 16.5. Antonio Brunelli: Varii esercitii . . . (1614) 301 Example 16.6. Giovanni Bovicelli: Regole, passaggi di musica (1594) 301 Example 16.7. Basic form of the groppo 302 Example 16.8. Giovanni Bovicelli: Regole, passaggi di musica (1594) 303 Example 16.9. Giovanni Bovicelli: Regole, passaggi di musica (1594) 303 Example 16.10. Lodovico Zacconi: Prattica di musica (1592) 303 Example 16.11. Giovanni Luca Conforto: Breve et facile maniera (1593) 303 Example 16.12. Giovanni Bovicelli: Regole, passaggi di musica (1594) 304 Example 16.13. Claudio Monteverdi: Audi cœlum from 1610 Vespers 304 Example 16.14. Lodovico Zacconi: Prattica di musica (1592) 305 Example 16.15. Lodovico Zacconi: Prattica di musica (1592) 306 Example 16.16. Francesco Rognoni: Selva de varii passaggi (1620) 306 Example 16.17. Lodovico Zacconi: Prattica di musica (1592) 306 Example 16.18. Lodovico Zacconi: Prattica di musica (1592) 306 Example 16.19. Emilio de’ Cavalieri: “Zimbelo” as found in Rappresentatione di anima, e di corpo 307 Example 16.20. Claudio Monteverdi: “ribattuta di gola” as found in Duo seraphim from 1610 Vespers 307 Example 16.21. Giulio Caccini: “esclamatione” as found in Le nuove musiche (1602) 309 Example 16.22. Francesco Rognoni: “tremolo” as found in Selva de varii passaggi (1620) 310 Example 16.23. Francesco Rognoni: “tremolo” as found in Selva de varii passaggi (1620) 311 Example 16.24. Giovanni Luca Conforto: “trillo” as found in Breve et facile maniera (1593) 311 Example 16.25. Girolamo Dalla Casa: “tremolo groppizato” as found in Il vero modo di diminuir (1584) 312 Example 16.26. Giulio Caccini: “trilli” as found in Le nuove musiche (1602) 312 Example 17.1. Conventional patterns for realizing a falling fifth at a cadence 321 Example 17.2. Dieterich Buxtehude, Fürchtet dich nicht, BuxWV 30, Sonata, mm. 1–11 323 Example 17.3. Angelo Notari, A la caccia 324 Example 17.4. Bellerofonte Castaldi, Capricci a due...

Share