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A Theory of Musical Narrative Byron Almén Approaches to Meaning in Music Byron Almén and Edward Pearsall Voicing Gender: Castrati, Travesti, and the Second Woman in Early-NineteenthCentury Italian Opera Naomi André The Italian Traditions and Puccini: Compositional Theory and Practice in Nineteenth-Century Opera Nicholas Baragwanath Debussy Redux: The Impact of His Music on Popular Culture Matthew Brown Music and the Politics of Negation James R. Currie Il Trittico, Turandot, and Puccini’s Late Style Andrew Davis Neil Young and the Poetics of Energy William Echard Interpreting Musical Gestures, Topics, and Tropes: Mozart, Beethoven, Schubert Robert S. Hatten Musical Meaning in Beethoven: Markedness, Correlation, and Interpretation Robert S. Hatten Intertextuality in Western Art Music Michael L. Klein Musical Forces: Motion, Metaphor, and Meaning in Music Steve Larson Is Language a Music? Writings on Musical Form and Signification David Lidov Pleasure and Meaning in the Classical Symphony Melanie Lowe Decorum of the Minuet, Delirium of the Waltz: A Study of Dance-Music Relations in 3 4 Time Eric McKee The Musical Topic: Hunt, Military and Pastoral Raymond Monelle Musical Representations, Subjects, and Objects: The Construction of Musical Thought in Zarlino, Descartes, Rameau, and Weber Jairo Moreno Deepening Musical Performance through Movement: The Theory and Practice of Embodied Interpretation Alexandra Pierce Expressive Intersections in Brahms: Essays in Analysis and Meaning Heather Platt and Peter H. Smith Expressive Forms in Brahms’s Instrumental Music: Structure and Meaning in His Werther Quartet Peter H. Smith Music as Philosophy: Adorno and Beethoven’s Late Style Michael Spitzer Music and Wonder at the Medici Court: The 1589 Interludes for La pellegrina Nina Treadwell Reflections on Musical Meaning and Its Representations Leo Treitler Debussy’s Late Style Marianne Wheeldon Musical Meaning and Interpretation Robert S. Hatten, editor ...

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