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ix My heartfelt thanks go to the many people who helped me during the process of completing this manuscript: Jane Behnken, my patient editor at Indiana University Press; Jeff Magee, series editor; Kevin HolmHudson , Dai Griffiths, and an anonymous reviewer, for their insightful comments; various people who read drafts along the way—Jim Buhler, Andrew Dell’Antonio, David Neumeyer, Byron Almén, Fred Maus, Mark Spicer—and those who offered comments at the Society for Music Theory, American Musicological Society, International Association for the Study of Popular Music, and Experience Music Project conferences; copyeditor extraordinaire Emma Young; managing editor Miki Bird; project editor Brian Herrmann; indexer Megan Giller; prog enthusiasts Bryan Sale and Steve Bonham; Nick Sibicky and Christine Amos Linial for Finale assistance; the Flightpath coffeehouse; Ruth Tatom, Marian Tatom, Richard Letts, Marmite, Esme, Tallulah; and dance friends both near and far. Acknowledgments ...

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