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239 Notes Introduction 1. Many new works are now available electronically directly through the composer . See The Living Composers Project in the bibliography (online resources). 2. A more complete list of online resources is found in the bibliography. 3. Juan A. Orrego-Salas was already calling for updates in published literature in the United States as early as the 1960s. See Orrego-Salas, “The Acquisition of Latin-American Books and Music,” Notes, 2nd. ser., 22, no. 3 (Mar. 1966): 1008–1013. 4. Nicholas Slonimsky, ed., Music of Latin America. (New York: Thomas Y. Crowell, 1945; repr. Da Capo Press, 1972). 5. GerardBéhague,MusicinLatinAmerica:AnIntroduction(EnglewoodCliffs, N.J.: Prenctice-Hall, 1979). 6. Malena Kuss, ed., Music in Latin American and the Caribbean: An Encyclopedic History, vols. 1–2 (Austin: University of Texas Press, 2004–2005). 7. Miguel Ficher, Martha Furman Schleifer, and John M. Furman, eds., Latin American Classical Composers: A Biographical Dictionary, 2nd ed. (Latham, Md.: Scarecrow Press, 2002). 8. The end of the last millennium also ushered in several books of philosophical interest, some of which include Gerard Béhague’s Music and Black Ethnicity: The Caribbean and South America (Miami: University of Miami North-South Center Press, 1994), Frances R. Aparicio’s Listening to Salsa: Gender, Latin Popular Music, and Puerto Rican Cultures (Hanover, N.H.: University Press of New England, 1998), and Tropicalizations: Transcultural Representations of Latinidad (Hanover, N.H.: University Press of New England, 1997), a collection of essays edited by Frances Aparicio and Susana Chávez-Silverman. 9. List of Latin American Music (Washington, D.C.: Pan American Union, 1933). 10. Music in Latin America: A Brief Survey, Series on Literature—Art—Music 3 (Washington, D.C.: Pan American Union, 1945); and Gilbert Chase, A Guide to the Music of Latin America, 2nd ed. rev. (Washington, D.C.: Pan American Union, 1962). 240 notes to pages xv–xvi 11. Music of Latin America, 3rd ed. (Washington, D.C.: Pan American Union, 1963); this is a reprint of the third edition, which was originally published in 1953. 12. Pan American Union Music Section, Composers of the Americas (Washington , D.C.: Pan American Union, 1955–1979): nos. 1–19. 13. Ricardo Lorenz, ed.,with Luis R. Hernández and Gerardo Dirie, Scores and Recordings at the Indiana University Latin American Music Center (Bloomington: Indiana University Press, 1995). 14. Kerlinda Degláns and Luis E. Pabón Roca, Catálogo de música clásica contempor ánea de Puerto Rico (Río Piedras, Puerto Rico: Pro-Arte Contemporáneo, 1989). 15. Luis Fernando Lopes Lopes, “Sample Repertoire [for Fifth Annual Competition in the Performance of Music from Spain and Latin America (2002), sponsored by Indiana University’s Latin American Music Center and the Embassy of Spain, Washington, D.C.]: Song Literature from Spain and Latin America,” http://www .music.indiana.edu/som/lamc/competition_root/reserves/voice_songs_reserve .html (accessed 15 April 2009). 16. Enrique Alberto Arias, “Contemporary Argentinean Vocal Literature,” The NATS Journal 41 (Jan/Feb 1985): 8–12. 17. Gilbert Chase, “Latin America,” in Dennis Stevens, ed., A History of Song (New York: W.W. Norton, 1960), 304–322. 18. Jonathan Kulp, “Carlos Guastavino: The Intersection of Música culta and Música popular in Argentine Song,” Latin American Music Review/Revista de música latinoamericana 24, no. 1 (Spring/Summer 2003): 42–61; John L. Walker, “The Younger Generation of Ecuadorian Composers, Latin American Music Review/Revista de música latinoamericana 22, no. 2 (Autumn/Winter 2001): 199–213; Marie Elizabeth Labonville, Juan Bautista Plaza and Musical Nationalism in Venezuela (Bloomington: Indiana University Press, 2007). 19. Revista Argentina de musicología (Buenos Aires, Argentina: Asociación Argentina de Musicología, 1996–); Revista musical puertorriqueña (San Juan, Puerto Rico: Instituto de Cultura Puertorriqueña, 1987–1990); Revista musical de Venezuela (Caracas: Consejo Nacional de la Cultura, 1980–); Revista musical chilena (Santiago : Facultad de Artes, Universidad de Chile 1973–), http://www.scielo.cl/scielo .php?pid=0716-2790&script=sci_serial (accessed 3 March 2007). 20. Latin American Music Review/Revista de música latinoamericana (Austin: University of Texas Press, 1980–), http://www.utexas.edu/utpress/journals/jlamr .html (accessed 3 March 2007). 21. Gerard Béhague, “Boundaries and Borders in the Study of Music in Latin America: A Conceptual Remapping,” Latin American Music Review/Revista de música latinoamericana 21, no. 1 (Spring/Summer 2000): 16–30; Kazadi wa Mukuna, “Ethnomusicology and the Study of Africanisms in the Music of Latin America: Brazil,” in Turn Up the...