-
BIBLIOGRAPHY
- Indiana University Press
- Chapter
- Additional Information
b i b l i o g r a P h y • 2 7 3 bibliograPhy Acosta, Oscar Zeta. “Autobiographical Essay.” In Oscar “Zeta” Acosta: The Collected Works. Ed. Ilan Stavans. Houston, TX: Arte Público Press, 1996. ———. The Autobiography of a Brown Buffalo. San Francisco: Straight Arrow Books, 1972. Reprint, New York: Vintage, 1989. ———. “To Whom It May Concern [A Solicitation].” In Oscar “Zeta” Acosta: The Collected Works. Ed. Ilan Stavans. Houston, TX: Arte Público Press, 1996. Acuña, Rodolfo. Occupied America: A History of Chicanos. 4th edition. Reading, MA: Addison-Wesley Longman, 2000. Adorno, Theodor. Aesthetic Theory. Ed. Gretel Adorno and Rolf Tiedemann. Trans. Robert Hullot-Kentor. Theory and History of Literature, Vol. 88. Minneapolis: University of Minnesota Press, 1997. Agrippa, Cornelius. Agrippa’s Occult Philosophy: Natural Magic. Mineola, NY: Dover Publications, Inc., 2006. Originally published, New York: Ernest Loomis and Co., 1897. Alarcón, Francisco X. From the Other Side of Night / Del otro lado de la noche. Tucson , AZ: University of Arizona Press, 2002. Alcoff, Linda. Visible Identities: Race, Gender, and the Self. New York: Oxford University Press, 2006. Aldama, Arturo, and Naomi H. Quiñonez, eds. Decolonial Voices: Chicana and Chicano Cultural Studies in the 21st Century. Bloomington: Indiana University Press, 2002. Algarín, Miguel. Love is Hard Work: Memories de Loisaida. New York: Simon and Schuster, 1997. Algarín, Miguel, and Bob Holman, eds. Aloud: Voices from the Nuyorican Poets Café. New York: Henry Holt and Company, 1994. Allison, Dorothy. Bastard Out of Carolina. New York: A. Dutton, 1992. Alvarez, Julia. “Freeing La Musa.” Introductory essays to Luz María UmpierreHerrera ’s The Margarita Poems. Bloomington, IN: Third Woman Press, 1987. 2 7 4 • b i b l i o g r a P h y Anzaldúa, Gloria. Borderlands / La Frontera: The New Mestiza. 1987. Reprint, San Francisco: Spinster / Aunt Lute Books, 1999. ———. Interviews/Entrevistas. Ed. AnaLouise Keating. New York: Routledge, 2000. ———, ed. Making Face, Making Soul Haciendo Caras: Creative and Critical Perspectives by Women of Color. San Francisco: Aunt Lute Foundation Books, 1990. ———. “now let us shift . . . the path of conocimiento . . . inner work, public acts.” In this bridge we call home: radical visions for transformation. Ed. Gloria E. Anzaldúa and AnaLouise Keating. New York: Routledge, 2002. Aparicio, Frances R., and Susana Chávez-Silverman, eds. Tropicalizations: Transcultural Representations of Latinidad. Hanover, NH: University Press of New England , 1997. Arau, Sergio. A Day Without a Mexican. Color film. Xenon Pictures, Inc., 2004. Arenas, Reinaldo. Antes que anochezca: autobiografía. Barcelona: Tusquets, 1992. Arias, Arturo. After the Bombs. Trans. Asa Zatz. Willimantic, CT: Curbstone Press, 1990. ———. Rattlesnake: A Novel. Trans. Seán Higgins and Jill Robbins. Willimantic, CT: Curbstone Press, 2003. Originally published in Spanish as Después de las bombas. México: Editorial Joaquín Mortiz, S.A., 1979. ———. Taking Their Word: Literature and the Signs of Central America. Minneapolis: University of Minnesota Press, 2007. Aronofsky, Darren. The Fountain. Color film. Protozoa Pictures / New Regency, 2006. Arriaga, Guillermo. The Night Buffalo. Trans. Alan Page. New York: Atria Books, 2006. Arroyo, Rane Ramón. The Buried Sea: New and Selected Poems. Tucson, AZ: University of Arizona Press, 2008. ———. Home Movies of Narcissus. Tucson, AZ: University of Arizona Press, 2002. ———. Pale Ramón: Poems. Cambridge, MA: Zoland Books, 1998. ———. The Portable Famine. Kansas City, MO: BkMk Press, 2005. ———. The Roswell Poems. La Porte, IN: WordFarm, 2008. ———. The Singing Shark. Tempe, AZ: Bilingual Press / Editorial Bilingüe, 1996. ———. The Sky’s Weight. Cincinnati, OH: Turning Point, 2009. Auster, Paul. Man in the Dark. New York: Henry Holt and Co., 2008. ———. Oracle Night. New York: Picador, 2003. Ávila, Rubén Ríos. “Caribbean Dislocations: Arenas and Ramos Otero in New York.” In Hispanisms and Homosexualities. Ed. Sylvia Molloy and Robert McKee Irwin. Durham, NC: Duke University Press, 1998. Baca, Jimmy Santiago. Working in the Dark: Reflections of a Poet of the Barrio. Santa Fe, NM: Red Crane Books, 1992. Barnes, Djuna. Nightwood. 1936. Reprint, New York: New Directions, 1961. Barthes, Roland. A Lover’s Discourse: Fragments. Trans. Richard Howard. New York: Hill and Wang, 1979. ———. Camera Lucida. Trans. Richard Howard. New York: Hill and Wang, 1981. [44.223.31.148] Project MUSE (2024-03-29 02:11 GMT) b i b l i o g r a P h y • 2 7 5 Bausch, Richard. Good Evening Mr. and Mrs. America, and All the Ships at Sea. New York: Harper Perennial, 1996. ———. In the Night Season. New York: Harper Perennial, 1998. Bell, Kevin. Ashes Taken...