Triple Entendre: Furniture Music, Muzak, Muzak-Plus

References

References The following section does not constitute an exhaustive bibliography. It only provides the full citations of the abbreviated references found in the endnotes. Documents (archival material, LPs, CDs, articles or books) that have been cited in full in the endnotes are not repeated here. Adlington, Robert, ed. Sound Commitments: Avant-Garde Music and the Sixties. Oxford: Oxford University Press, 2009. Adorno, Theodor W. Essays on Music. Selection, introduction, commentary, and notes by Richard Leppert, new translation by Susan H. Gillespie. Berkeley: University of California Press, 2002. ———, and Hanns Eisler. Composing for the Films (1947), republished with an introduction by Graham McCann, London: Continuum, Athlone Press, 2005. Anderson, Tim J. “Buried under the Fecundity of His Own Creations: Reconsidering the Recording Bans of the American Federation of Musicians, 1942–1944 and 1948.” American Music 22, no. 2 (Summer 2004): 231–69. ———. Making Easy Listening: Material Culture and Postwar American Recording. Minneapolis : University of Minnesota Press, 2006. Arceneaux, Noah. “A Sales Floor in the Sky: Philadelphia Department Stores and the Radio Boom of the 1920s.” Journal of Broadcasting and Electronic Media 53, no. 1 (2009): 76–89. Armengaud, Jean-Pierre. Erik Satie. Paris: Fayard, 2009. Austin, William. “Satie before and after Cocteau.” The Musical Quarterly 48, no. 2 (April 1962): 216–33. Barnes, Stephen H. Muzak ®: the Hidden Message in Music: A Social Psychology of Culture. Vol. 9 from Studies on the History of Interpretation in Music. Lewiston, N.Y.: Edwin Mellen Press, 1988. Beckett, Wheeler. Music in War Plants. Washington, D.C.: War Production Drive Headquarters, War Production Board, (August) 1943. Benson, Barbara Elna. Music and Sound Systems in Industry. New York: McGraw-Hill, 1945. 182 references Blickhan, Charles T. Erik Satie: Musique d’ameublement. Unpublished DMA dissertation , University of Illinois at Urbana-Champaign, 1976. Bradshaw, Alan, and Morris B. Holbrook. “Must We Have Muzak Wherever We Go? A Critical Consideration of the Consumer Culture.” Consumption Markets & Culture 11, no. 1 (March 2008): 25–43. Bryars, Gavin. “Vexations and Its Performers” (written 1979). Contact 26 (Spring 1983): 12–20. Cage, John. Empty Words: Writings ’73–’78. London: Marion Boyars, 1980. ———. M: Writings ’67–’72. Middletown, Conn.: Wesleyan University Press, 1973. ———. X: Writings ’79–’82. Middletown, Conn.: Wesleyan University Press, 1983. ———. “Rhythm Etc.” In Gyorgy Kepes, ed., Module, Proportion, Symmetry, Rhythm. New York: George Braziller, 1966. ———. Silence. Middletown, Conn.: Wesleyan University Press, 1961. ———. A Year from Monday. Middletown, Conn.: Wesleyan University Press, 1967, 1969. ———, Michael Kirby, and Richard Schechner. “An Interview with John Cage.” The Tulane Drama Review 10, no. 2 (Winter 1965): 50–72. ———, and Robin White. John Cage. New York: Henmar Press, 1962. ———, Roger Shattuck, and Alan Gillmor. “Erik Satie: A Conversation” (1973) (with Roger Shattuck and Alan Gillmor), Contact: A Journal of Contemporary Music 25 (Autumn 1982): 21–26. Cardinell, R. L. Music in Industry: The Nature and Development of Work Music. New York: American Society of Composers, Authors and Publishers, 1944. ——— and Harold Burris-Meyer. “Music in Industry Today.” The Journal of Acoustical Society of America 19, no. 4 (July 1947): 547–49. ———, Harold Burris-Meyer, and R. C. Lewis. “Music as an Aid to Healing.” The Journal of Acoustical Society of America 19, no. 4 (July 1947): 544–46. Charles, Daniel. For the Birds: John Cage in Conversation with Daniel Charles. Boston: Marion Boyars, 1981. Charles, Daniel. Gloses sur John Cage. Paris: 10:18, 1978. Cocteau Jean. Le Rappel à l’ordre. (Includes Le coq et l’Arlequin [1918], Carte blanche [1920], Visites à Maurice Barrès [1921], Le secret professionnel [1922], D’un ordre considéré comme une anarchie [1923], Autour de “Thomas l’imposteur” [1923], Picasso [1923]). Paris: Librairie Stock, Delamain et Boutelleau, 1926, 1948. Cox, Christoph, and Daniel Warner, eds. Audio Culture: Readings in Modern Music. London: Continuum, 2004. Dahlhaus, Carl. The Idea of Absolute Music. Translation of Die Idee der absoluten Musik (1978), introduced by Roger Lustig. Chicago: University of Chicago Press, 1989. Davis, Mary E. Erik Satie. London: Reaktion Books, 2007. Derrida, Jacques. “Economimesis.” In Mimesis Desarticulations. Paris: Aubier-Flammarion , Coll. La Philosophie en effet, 1975. Dubé, Laurette, Jean-Charles Chebat, and Sylvie Morin. “The Effects of Background Music on Consumers’ Desire to Affiliate in Buyer-Seller Interactions.” Psychology & Marketing 12, no. 4 (July 1995): 305–19. references 183 Eliel, Carol S., ed. With essays by Françoise Ducros and Tag Gronberg. L’Esprit nouveau : Purism in Paris, 1918–1925. New York: Harry N. Abrams, 2001. Emmerik, Paul van (in collaboration...