In this Book

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This book traces the emergence of modern American poetry at the turn of the nineteenth century. With a particular focus on four "little magazines"--Poetry, The Masses, Others, and The Seven Arts--John Timberman Newcomb shows how each advanced ambitious agendas combining urban subjects, stylistic experimentation, and progressive social ideals. While subsequent literary history has favored the poets whose work made them distinct--individuals singled out usually on the basis of a novel technique--Newcomb provides a denser, richer view of the history that hundreds of poets made.

 

Table of Contents

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  1. Cover
  2. p. 1
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  1. Title Page, Copyright, Dedication
  2. pp. 2-7
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  1. Contents
  2. pp. vii-9
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  1. Acknowledgments
  2. pp. ix-xi
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  1. Introduction: A Modernism of the City
  2. pp. 1-6
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  1. Part I: Inventing the New Verse
  2. pp. 7-144
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  1. 1. American Poetry on the Brink, 1905-12
  2. pp. 9-25
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  1. 2. Poetry's Opening Door: Harriet Monroe and American Modernism
  2. pp. 26-53
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  1. 3. Young, Blithe, and Whimsical: The Avant-Gardism of The Masses
  2. pp. 54-78
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  1. 4. There Is Always Others: Experimental Verse and "Ulterior Social Result"
  2. pp. 79-117
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  1. 5. Volunteers of America, 1917: The Seven Arts and the Great War
  2. pp. 118-144
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  1. Part II: Keys to the City
  2. pp. 145-159
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  1. 6. Gutter and Skyline: The New Verse and the Metropolitan Cityscape
  2. pp. 147-179
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  1. 7. Footprints of the Twentieth Century: American Skyscrapers, Modern Poems
  2. pp. 180-216
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  1. 8. Subway Fare: Toward a Poetics of Rapid Transit
  2. pp. 217-262
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  1. Notes
  2. pp. 263-302
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  1. Bibliography
  2. pp. 303-326
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  1. Index
  2. pp. 327-338
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  1. About the Author, Production Notes, Back Cover
  2. pp. 352-354
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