Elliott Carter

Index

117 index Agee, James, 18 Aitken, Webster, 38 all-interval tetrachord, 1, 46 American Academy, 52, 55 American Conservatory, 21 anthroposophy, 8 Aristoxenus, 59 Ashbery, John, 70, 94–95 Babbitt, Irving, 16–7; The New Laokoön: An Essay on the Confusion of the Arts, 17 Babbitt, Milton, 98 Bach, J. S., 7, 9, 13, 19, 23, 25, 27; Goldberg Variations, 27 Balanchine, George, 25 Ballet Caravan, 6, 25–26 Ballet Society, 38 Barenboim, Daniel, 113n55 Barthes, Roland, 85 Bartók, Béla, 10, 11, 35, 47, 53 Baudelaire, Charles, 94; “La Musique,” 94 BBC Symphony Orchestra, 113 Beethoven, Ludwig van, 36, 42, 48, 49, 82 Berg, Alban, 9 Bergson, Henri, 18, 59, 61 Bernard, Jonathan W., 14, 15–16, 17–18, 32, 35, 42, 44, 48, 58, 66, 70, 82, 83–84 Bishop, Elizabeth, 70 Bitter, John, 7, 10 Boccaccio, Giovanni, 80; Decameron, 80 Boosey & Hawkes, 82, 92 Boretz, Benjamin, 42, 99 Borges, Jorge Luis, 37; Library of Babel, The, 37 Boston Symphony Orchestra (BSO), 8, 10, 11, 14, 19, 27 Botstein, Leon, 97 Boulanger, Nadia, 6, 14, 21–24, 25, 26, 33, 38, 51, 56, 84, 92, 98–99 Boulez, Pierre, 53, 57, 71, 92, 97–98, 108n24, 111n1; Structures, 108 Boykan, Martin, 34, 52 Brahms, Johannes, 9, 13, 37, 42 Brandt, William, 47 Brelet, Gisèle, 58, 61, 109n32 British Broadcasting Corporation (BBC), 53 Britten, Benjamin, 98, 111n1 Bull, John, 36 Burroughs, William S., 110n57 Butor, Michel, 110n57 Bye, Antony, 86–87, 88 Byrd, William, 36 Cage, John, 59 Caltabiano, Ronald, 88 Calvino, Italo, 79–80; If on a Winter’s Night a Traveler, 79; Invisible Cities, 79; Six Memos for the Next Millennium, 79–80 Carl Fischer, Inc., 50 Carnegie Hall, 8, 10 Carter, Eli C., 5 Carter, Elliott (musical works): 90+, 81, Index 118 92; A Mirror on Which to Dwell, 3, 70, 79, 93; Anniversary, 92, 113n56; ASKO Concerto, 94; Au Quai, 94; Birthday Fanfare , 92, 107n6; Birthday Flourish, 92; Boston Concerto, 94; Brass Quintet, 79; Call, 94; Canon for 3, 92; Canon for 4: Homage to William, 92; Caténaires, 94; Cello Concerto, 94; Clarinet Concerto, 81, 87; Clarinet Quintet, 94; Concerto for Orchestra, 55, 59, 67, 70, 79, 99, 113n56; Con leggerezza pensosa, 80, 93; Dialogues for piano and large ensemble , 94; “The Difference,” 30; Double Concerto for Piano, Harpsichord, and Two Chamber Orchestras, 3–4, 56, 57, 64–65, 67, 70, 79; Duettino for violin and viola, 94; Duo for Violin and Piano, 65, 70, 79; “Dust of Snow,” 30; Eight Etudes and a Fantasy for Woodwind Quartet, 45, 105n87; Elegy, 30, 92, 114n66; Emblems, 38, 40, 105n22; Esprit rude/esprit doux, 92; Fantasy— Remembering Roger, 92; Figment II— Remembering Mr. Ives, 92; Figment III, 94; Figment IV, 94; Flute Concerto, 94; Fons juventatis, 94, 114n69; Fragment for String Quartet, 92; Fragment No. 2 for string quartet, 94; Fratribute, 94; Gra, 81, 86, 92; The Harmony of Morning , 38; Harvest Home, 25; HBHH, 94; “Heart Not So Heavy as Mine,” 25; Hiyoku, 94; Holiday Overture, 29–30, 35, 37–38, 50; Horn Concerto, 94; Immer neu, 93; incidental music for Mostellaria , 24; incidental music for Philoctetes , 19–20, 24; In Sleep, in Thunder, 76, 78, 79, 81, 82, 93, 94; Intermittences, 94; Interventions, 94; In the Distances of Sleep, 3, 94, 95; La Musique, 94–95; Let’s Be Gay, 25; “The Line Gang,” 30; Luimen, 88; Mad Regales, 94–95; Matribute, 94; Micomicón, 94, 114n69; The Minotaur, 38, 40; More’s Utopia, 94, 114n69; Mosaic, 94; Musicians Wrestle Everywhere, 30–31, 38; Night Fantasies, 52, 55, 70, 83, 84, 99; Oboe Concerto, 81, 86, 87; Oboe Quartet, 94; Of Challenge and of Love, 3, 82; Of Rewaking, 94–95; On Conversing with Paradise, 94; Partita for orchestra, 81, 87, 89, 113n55; Penthode, 81, 86; Piano Concerto , 55, 65, 70, 79, 83; Piano Sonata, 2, 31, 32–4, 37, 38–40, 41, 42, 43, 47, 48, 50, 54, 56, 58, 63, 71; Pocahontas, 26, 27–28, 29, 50; Poems of Louis Zukofsky , 95; Quintet for Piano and Winds, 81, 87; Réflexions, 94; Remembrance, 92, 115n56; Retracing, 94; Retrouvailles, 94; Riconoscenza per Goffredo Petrassi, 92; “The Rose Family,” 30; Sistribute, 94; Six Letter Letter, A, 92; Six Pieces for Kettledrums, 45; Sonata for Cello and Piano, 2–3, 32–33, 34, 37, 40–43, 44, 45, 47, 48, 53, 56, 93; Sonata for Flute, Oboe, Cello, and Harpsichord, 45, 56, 104n15; Sound Fields, 94; Soundings, 94; Statement—Remembering Aaron, 92...