Francois Ozon

Bibliography

bibliography Abeel, Erica. “François Ozon on Swimming Pool: Fantasy, Reality, Creation.” IndieWire. SnagFilms LLC. 2 July 2003. http://www.indiewire.com/article/ francois_ozon_on_swimming_pool_fantasy_reality_creation. Alion, Yves. “Entretien avec Marina de Van, coscénariste de 8 femmes.” L’avantsc ène cinéma 513 (June 2002): 91–93. Asibong, Andrew. François Ozon. Manchester: Manchester University Press, 2008. ———. “Meat, Murder, Metamorphosis: The Transformational Ethics of Fran- çois Ozon.” French Studies 59.2 (2005): 203–15. Barthes, Roland. Camera Lucida: Reflections on Photography. Trans. Richard Howard. New York: Hill and Wang, 1981. Bégaudeau, François. “Le temps qui reste de François Ozon.” Cahiers du cinéma 607 (Dec. 2005): 66–67. Benshoff, Harry, and Sean Griffin. Queer Cinema, the Film Reader. London: Routledge, 2004. Beugnet, Martine. Cinema and Sensation: French Film and the Art of Transgression . Carbondale: Southern Illinois University Press, 2007. Bingham, Adam. “Identity and Love: The Not-So-Discreet Charm of Fran- çois Ozon.” Kinoeye 3.13 (2003): n. pag. 11 July 2010. http://www.kinoeye .org/03/13/bingham13.php. Blouin, Patrick. “La place du mort.” Cahiers du cinéma 554 (Feb. 2001): 76– 78. Bolton, Zoe. “Entertainment and Dystopia: Film Noir, Melodrama, and Mildred Pierce.” Crimeculture (2005). 10 July 2010. http://www.crimeculture.com/ Contents/Articles Spring05/Mildred%20Pierce.html. Bonnaud, Frédéric. “François Ozon: Wannabe Auteur Makes Good.” Film Comment 37.4 (2001): 52–55. Boujut, Michel. “Femmes entre elles au bord de la crise de nerfs.” L’avant-scène cinéma 513 (June 2002): 1–2. Bourcier, Marie-Hélène, ed. Q comme Queer. Paris: Zoo, Les Cahiers Gay Kitsch Camp, 1998. 182 | bibliography Brassart, Alain. L’homosexualité dans le cinéma français. Paris: Nouveau Monde, 2007. Bruyn, Olivier de. “Les amants criminels.” Positif 463 (Sept. 1999): 48. ———. “Le temps qui reste.” Positif 533–34 (July/Aug. 2005): 105. Bruzzi, Stella. Undressing Cinema: Clothing and Identity in the Movies. London: Routledge, 1997. Burdeau, Emmanuel. “Angel de François Ozon.” Cahiers du cinéma 621 (Mar. 2007): 33–34. Butler, Judith. Gender Trouble: Feminism and the Subversion of Identity. London : Routledge, 1990. Cardullo, Bert. “The Space of Time, the Sound of Silence.” Hudson Review 55.3 (2002): 473–80. Cavitch, Max. “Sex after Death: François Ozon’s Libidinal Invasions.” Screen 48.3 (2007): 313–26. Charcossey, Laure. “Les magiciens d’Ozon.” Cahiers du cinéma 556 (Apr. 2001): 44–45. Chilcoat, Michelle. “Queering the Family in François Ozon’s Sitcom.” Griffiths , 23–33. Ciment, Michel, and Yann Tobin. “Entretien, Charlotte Rampling: Vous me donnerez ce que vous avez derrière les yeux.” Positif 507 (May 2003): 10–15. Cixous, Hélène. “The Laugh of the Medusa.” Signs 1.4 (1976): 875–93. Darke, Chris. “The Young French Cinema: On French Film in the 1990s.” Light Readings: Film Criticism and Screen Arts. London: Wallflower, 2000. 154–58. Defoy, Stéphane. “La solitude apprivoisée.” Cinébulles 24.3 (2006): 58–59. Delabre, Anne, and Didier Roth-Bettoni. Le cinéma français et l’homosexualité. Paris: Danger public, 2008. De Lauretis, Teresa. Alice Doesn’t: Feminism, Semiotics, Cinema. Bloomington: Indiana University Press, 1984. Delcroix, Olivier. “L’ange du bizarre de François Ozon.” Le Figaro 11 Feb. 2009: 31. Delmotte, Benjamin. “Entretien avec François Ozon.” L’avant-scène cinéma 513 (June 2002): 87–90. ———. “François Ozon: Le même et l’autre.” L’avant-scène cinéma 513 (June 2002): 83–85. Douchet, Jean. “Dix sur dix.” Cahiers du cinéma 602 (June 2005): 67. Douin, Jean-Luc. “Chronique d’une mort annoncée.” Le Monde 30 Nov. 2005: n. pag. 11 July 2010. http://www.lemonde.fr/cinema/article/2005/11/29/letemps -qui-reste-chronique-d-une-mort-annoncee_715531_3476.html. ———. “Ricky: Et le bébé s’envola.” Le Monde 10 Feb. 2009: n. pag. 28 July 2010. http://www.lemonde.fr/cinema/article/2009/02/10/ricky-et-le-bebe-senvola_1153321_3476 .html. Ehrenstein, David. “They Sing, They Dance, They Kill.” Advocate 873 (1 Oct. 2002): 60. bibliography | 183 Elia, Maurice. “Sitcom: Jouissons en choeur.” Séquences 199 (Nov.-Dec. 1998): 48. Eng, David L., and David Kazanjian, eds. “Introduction: Mourning Remains.” Loss: The Politics of Mourning. Berkeley: University of California Press, 2003. 1–25. Enjolras, Laurence. “Étale visuelle, ressac textuel: Regarde la mer de Fran- çois Ozon.” Contemporary French and Francophone Studies 11.1 (2007): 47–57. Falcon, Richard. “Reality...