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Index
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Index Accomplice, 69n1 Aiken, Liam, 43, 50, 89 Albe, Paul, 58 Almereyda, Michael, 76 Altman, Robert, 82 Amateur, 34–41, 43–44, 58, 62; and award at Tokyo International Film Festival, 8; and budget, 75, 81; and comedy and violence, 76; and competing knowledge theme, 56; and conclusion , 36–37, 49; and genre, 34, 92; and music, 90; and opening sequence, 35, 37–38, 40; and saintly women, 25, 34–35, 38–39; and sexual imagery and pornography, 34–36, 47, 72 Ambition, 27 Anders, Allison, 7 Andersen, Kevin Taylor, 69n4 Andrew, Geoff, 69n5 Apatow, Judd, 14 Araki, Gregg, 76 Atkinson, Michael, 5 Avakian, Aram, 5 Avila, Robert, 68, 69n1, 77–94 Badlands, 10, 79 Bailey, Mark Chandler, 10, 25 Baker, Al, 34 Bande à Part, 31–32 Bayonne, Jef, 51 Benedict, Peter, 70n12 Bigelow, Kathryn, 7 Book of Life, The, 57–68, 79, 83; and conclusion, 59, 68; and genre, 92; and opening sequence, 57 Bordwell, David, 7, 14, 69n1 Brasseur, Claude, 31 Brecht, Bertolt, 3, 54, 69n2 Brownstein, Jerome, 5 Burke, Robert John, 6, 8–9, 23, 63 Burrows, Saffron, 70n12 California Split, 82 Canby, Vincent, 69n1 Carr, David, 7 Cawley, Sarah (Cabiya), 70n13 Chibas, Marissa, 47 Chuck D, 29 Coen, Joel and Ethan, 7 Combs, Holly Marie, 23 Comelade, Pascal, 59 Comer, Brooke, 69n7 Cooke, Christopher, 6, 10–11, 25 Corrigan, Kevin, 43 Cox, Veanne, 42 Creech, Don, 46, 58 Days of Heaven, 78–79 Dead Man, 40 Deer, Lesley, 69n3 de Jonge, Peter, 2, 5 Denault, Jim, 60 Depp, Johnny, 40 Dietrich, Marlene, 31 Donovan, Martin, 6, 80; in Amateur, 34, 37–38; in The Book of Life, 57–58, 60, 77; in Simple Men, 25, 30; in Surviving Desire, 27–28, 37; in Trust, 16–17 Double Indemnity, 40–41 Durbin, Karen, 57 120 | Index Eaves, Hannah, 6, 61 Ewell, Dwight, 6 Falco, Edie, 6, 10, 16 Farmer, Gary, 40 Fassbinder, Rainer Werner, 77 “Faster I Breathe, the Further I Go, The” (P. J. Harvey), 66 Fay Grim, 1, 49–57, 79–82; and award at RiverRun International Film Festival, 8; and budget, 85; and cinematography, 53–54, 60–61, 70n13, 91; and conclusion , 52, 59; and genre, 49, 92; and music and sound editing, 91; and opening sequence, 49; and pornography, 50–51, 55; and production and distribution , 93; and scope of narrative, 41, 68, 87–90; at Sundance Film Festival, 7 Feuer, Jane, 27 Filmmaker, 69n1 Film Quarterly, 71 Fitzpatrick, Leo, 50, 79–80 Flirt, 6, 76; music, 90 Ford, John, 69n6 Forty-Year-Old Virgin, The, 14 Franklin, Carl, 7 Frey, Sami, 31 Fried, John, 7, 27, 69n4 Fuller, Graham, 2–4, 25, 69n1, 70n9; and characters and Satan/the devil/demons , 43, 58; and cinematography and choreography, 53, 69n7; and comedy and violence, 69n8; and “emotional commerce”, 11; and Henry Fool, Fay Grim, and Star Wars, 41; and “honest cinema”, 27; and Long Island Films, 34; and politics and Brecht, 69n2; and religion, 69n4; and Vic’s sexual interest in Audry in The Unbelievable Truth, 15 Garbo, Greta, 31 Gay, Megan, 50 Gerhardt, Roland, 85 Gimpel, Erica, 6–7 Girl from Monday, The, 80; and cinematography , 60–61, 70n13, 83, 91; and genre, 92; and music, 90; and production and distribution, 93–94; and voiceover , 57 Godard, Jean-Luc, 84; and Bande à Part, 31–32; influence of, 2, 69n1, 76; and new modes of film distribution, 70n10, 92–93; and Sauve Qui Peut (la Vie)/ Every Man for Himself, 34 Goldblum, Jeff, 50, 80–82 Gomez, Nick, 6, 69n1, 74 Good Machine, 6 Gordon, Kim, 29 Gosse, Bob, 6 GreenCine, 6, 61 Greenspan, David, 35 Gunning, Tom, 6 Hamilton, Steve, 6 Harding, Jan Leslie, 46 Hardt, Katreen, 58 Hartley, Hal, 1–8, 46, 70n9, 74; and American Academy and Berlin, 8, 68, 78, 85–87, 91; and antirealism, 1–4, 7–9, 11, 13–14, 19–22, 26–31, 37–39, 48, 52, 56–57, 69n1; and budgets, 7, 23, 75, 81–83, 85; and casting, 34, 77; and characters and Satan/the devil/ demons, 43–44, 58, 63–64, 71, 90; and the Chevalier de l’Ordre de Arts et des letters, 8; and choreography and dance, 27, 31, 79–81; and cinematography, 2–3, 6, 11–12, 16, 18–22, 28–33, 39, 44, 48–49, 52–57, 59–66, 69n7, 70n13, 91; and Collected Screenplays 1, 24; and comedy and violence, 4, 6, 11, 16–17, 22, 36, 42, 44, 65, 69n8, 76; and establishing shots, 3, 19–20...