In this Book

summary
Recovered Legacies: Authority and Identity in Early Asian American Literature employs contemporary and traditional readings of representative works in prose, poetry, and drama to suggest new ways of understanding and appreciating the critically fertile but underexamined body of Asian American writing from the late 1800s to the early 1960s. The essays in this volume engage this corpus—composed of multiple genres from different periods and by authors of different ethnicities—with a strong awareness of historical context and a keen sensitivity to literary form. As a collection, Recovered Legacies re-establishes the rich and diverse literary heritage of Asian America and argues persuasively for the significance of these works to the American literary canon.

Table of Contents

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  1. Cover
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  1. Frontmatter
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  1. Contents
  2. pp. v-vi
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  1. Preface
  2. pp. vii-ix
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  1. Chronology of Works Discussed
  2. pp. xi-xii
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  1. Introduction
  2. pp. 1-23
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  1. 1. Early Chinese American Autobiography: Reconsidering the Works of Yan Phou Lee and Yung Wing
  2. pp. 24-40
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  1. 2. The Self and Generic Convention: Winnifred Eaton’s Me, A Book of Remembrance
  2. pp. 41-59
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  1. 3. Diasporic Literature and Identity: Autobiography and the I-Novel in Estu Sugimoto’s Daughter of the Samurai
  2. pp. 60-79
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  1. 4. The Capitalist and Imperialist Critique in H. T. Tsiang’s And China Has Hands
  2. pp. 80-97
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  1. 5. Unacquiring Negrophobia: Younghill Kang and Cosmopolitan Resistance to the Black and White Logic of Naturalization
  2. pp. 98-119
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  1. 6. Asian American (Im)mobility: Perspectives of the College Plays 1937–1955
  2. pp. 120-140
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  1. 7. Toyo Suyemoto, Ansel Adams, and the Landscape of Justice
  2. pp. 141-157
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  1. 8. Wounded Bodies and the Cold War: Freedom, Materialism, and Revolution in Asian American Literature, 1946–1957
  2. pp. 158-182
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  1. 9. Suffering Male Bodies: Representations of Dissent and Displacement in the Internment-Themed Narratives of John Okada and Toshio Mori
  2. pp. 183-206
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  1. 10. Toshio Mori, Richard Kim, and the Masculine Ideal
  2. pp. 207-228
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  1. 11. Home, Memory, and Narrative in Monica Sone’s Nisei Daughter
  2. pp. 229-248
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  1. 12. The “Pre-History” of an “Asian American” Writer: N.V.M. Gonzalez’ Allegory of Decolonization
  2. pp. 249-264
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  1. 13. Representing Korean American Female Subjects, Negotiating Multiple Americas, and Reading Beyond the Ending in Ronyoung Kim’s Clay Walls
  2. pp. 265-293
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  1. Contributors
  2. pp. 295-297
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  1. Index
  2. pp. 299-308
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