In this Book

summary
In the 1920s a distinctively American detective fiction emerged from the pages of pulp magazines. The “hard-boiled” stories published in Black Mask, Dime Detective, Detective Fiction Weekly, and Clues featured a new kind of hero and soon challenged the popularity of the British mysteries that held readers in thrall on both sides of the Atlantic. In Hard-Boiled Erin A. Smith examines the culture that produced and supported this form of detective story through the 1940s.

Relying on pulp magazine advertising, the memoirs of writers and publishers, Depression-era studies of adult reading habits, social and labor history, Smith offers an innovative account of how these popular stories were generated and read. She shows that although the work of pulp fiction authors like Dashiell Hammett, Raymond Chandler, and Erle Stanley Gardner have become “classics” of popular culture, the hard-boiled genre was dominated by hack writers paid by the word, not self-styled artists. Pulp magazine editors and writers emphasized a gritty realism in the new genre. Unlike the highly rational and respectable British protagonists (Miss Marple and Hercule Poirot, for instance), tough-talking American private eyes relied as much on their fists as their brains as they made their way through tangled plotlines.

Casting working-class readers of pulp fiction as “poachers,” Smith argues that they understood these stories as parables about Taylorism, work, and manhood; as guides to navigating consumer culture; as sites for managing anxieties about working women. Engaged in re-creating white, male privilege for the modern, heterosocial world, pulp detective fiction shaped readers into consumers by selling them what they wanted to hear – stories about manly artisan-heroes who resisted encroaching commodity culture and the female consumers who came with it. Commenting on the genre’s staying power, Smith considers contemporary detective fiction by women, minority, and gay and lesbian writers.

Table of Contents

  1. Cover
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  1. Frontmatter
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  1. Contents
  2. pp. vii-viii
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  1. Acknowledgments
  2. pp. ix-xiv
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  1. Introduction
  2. pp. 1-14
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  1. Part I: Reconstructing Readers
  2. pp. 15-17
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  1. The Hard-Boiled Writer and the literary Marketplace
  2. pp. 18-42
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  1. The Adman on the Shop Floor: Workers, Consumer Culture, and the Pulps
  2. pp. 43-74
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  1. Part II : Reading Hard-Boiled Fiction
  2. pp. 75-78
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  1. Proletarian Plots
  2. pp. 79-102
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  1. Dressed to Kill
  2. pp. 103-125
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  1. Talking Tough
  2. pp. 126-149
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  1. The Office Wife
  2. pp. 150-166
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  1. Afterword
  2. pp. 167-174
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  1. Notes
  2. pp. 175-210
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  1. Index
  2. pp. 211-215
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Additional Information

ISBN
9781592139118
MARC Record
OCLC
47008525
Launched on MUSE
2012-01-01
Language
English
Open Access
No
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