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Guide to the Euphonium Repertoire is the most definitive publication on the status of the euphonium in the history of this often misunderstood and frequently under-appreciated instrument. This volume documents the rich history, the wealth of repertoire, and the incredible discography of the euphonium. Music educators, composers/arrangers, instrument historians, performers on other instruments, and students of the euphonium (baritone horn, tenor tuba, etc.) will find the exhaustive research evident in this volume's pages to be compelling and comprehensive.

Contributors are Lloyd Bone, Brian L. Bowman, Neal Corwell, Adam Frey, Marc Dickman, Bryce Edwards, Seth D. Fletcher, Carroll Gotcher, Atticus Hensley, Lisa M. Hocking, Sharon Huff, Kenneth R. Kroesche, R. Winston Morris, John Mueller, Michael B. O'Connor, Eric Paull, Joseph Skillen, Kelly Thomas, Demondrae Thurman, Matthew J. Tropman, and Mark J. Walker.

Table of Contents

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  1. Cover
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  1. Title Page, Copyright, Dedication
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  1. CONTENTS
  2. pp. vii-viii
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  1. FOREWORD
  2. pp. ix-x
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  1. PREFACE
  2. p. xi
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  1. ACKNOWLEDGMENTS
  2. pp. xv-xvi
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  1. 1. A Short History of the Euphonium and Baritone Horn
  2. pp. 1-18
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  1. 2. Music for Euphonium and Keyboard
  2. pp. 19-90
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  1. 3. Music for Euphonium and Wind Band
  2. pp. 91-114
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  1. 4. Music for Euphonium and Brass Ensemble
  2. pp. 115-138
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  1. 5. Music for Euphonium and Orchestra
  2. pp. 139-150
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  1. 6. Music for Euphonium in Mixed Ensemble
  2. pp. 151-195
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  1. 7. Music for Unaccompanied Euphonium
  2. pp. 195-204
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  1. 8. Music for Euphonium and Electronic Media
  2. pp. 205-214
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  1. 9. Music for Multiple Euphoniums
  2. pp. 215-226
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  1. 10. Recommended Repertoire Written forOther Instruments
  2. pp. 227-242
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  1. 11. Methods and Studies
  2. pp. 243-250
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  1. 12. Band and Orchestral Excerpts
  2. pp. 251-256
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  1. 13. Recommended Basic Repertoire
  2. pp. 257-274
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  1. 14. Discography
  2. pp. 275-404
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  1. 15. Bibliography
  2. pp. 405-442
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  1. 16. Euphonium Composer Biographies
  2. pp. 443-484
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  1. 17. Biographical Sketches of ProfessionalEuphoniumists
  2. pp. 485-506
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  1. 18. Guide to Trombone/Euphonium Doubling
  2. pp. 507-514
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  1. 19. The Euphonium in Jazz
  2. pp. 515-516
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  1. 20. Equipment
  2. pp. 517-520
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  1. APPENDIX A: Composers’, Publishers’, and Manufacturers’
  2. pp. 521-546
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  1. APPENDIX B: Recording the Euphonium
  2. pp. 547-554
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  1. APPENDIX C: Continuing Symposia, Competitions, Events,Festivals, and Summer Study
  2. pp. 555-562
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  1. APPENDIX D: The Freelance Euphoniumist
  2. pp. 563-564
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  1. Contributors
  2. pp. 565-568
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  1. INDEX
  2. pp. 569-589
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