In this Book

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     Sally Banes has been a preeminent critic and scholar of American contemporary dance, and Before, Between, Beyond spans more than thirty years of her prolific work. Beginning with her first published review and including previously unpublished papers, this collection presents some of her finest works on dance and other artistic forms. It concludes with her most recent research on Geroge Balanchine's dancing elephants. In each piece, Banes's detailed eye and sensual prose strike a rare balance between description, context, and opinion, delineating the American artistic scene with remarkable grace. With contextualizing essays by dance scholars Andrea Harris, Joan Acocella, and Lynn Garafola, this is a compelling, insightful indispensable summation of Banes's critical career.

Table of Contents

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  1. Cover
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  1. FM
  2. pp. i-iv
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  1. Contents
  2. pp. v-vi
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  1. Voice of the Zeitgeist
  2. pp. vii-xiv
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  1. Electrification
  2. pp. xv-xix
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  1. Introduction
  2. pp. 3-10
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  1. Dance before Midnight
  1. Substanceless Brutality
  2. pp. 13-16
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  1. Bizarre Newborn Universe
  2. pp. 17-19
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  1. About Quarry, about Meredith Monk
  2. pp. 20-22
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  1. Disco Dance: Boogie Down the Blues
  2. pp. 23-26
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  1. The Art of Ballezz
  2. pp. 27-31
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  1. Changing and Growing and Changing Colors
  2. pp. 32-36
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  1. Stepping into Time
  2. pp. 37-40
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  1. David Gordon, or, the Ambiguities
  2. pp. 41-46
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  1. Merce Cunningham 101
  2. pp. 47-49
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  1. Douglas Dunn Talking Dancing
  2. pp. 50-57
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  1. Patterns
  2. pp. 58-60
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  1. A Walk on the Wild Side
  2. pp. 61-63
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  1. Bolshoi Bravura
  2. pp. 64-72
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  1. Notes on Some Dances
  2. pp. 73-76
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  1. Rhythm for the Eyes, Ears, and Soles
  2. pp. 77-80
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  1. Awhirl in Every Port
  2. pp. 81-83
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  1. Under Glass
  2. pp. 84-85
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  1. Trisha Brown and Fujiko Nakaya Play Misty
  2. pp. 86-90
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  1. “Men Together” and Bloolips
  2. pp. 91-96
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  1. Paul Taylor Dance Company
  2. pp. 97-103
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  1. 10
  2. pp. 104-109
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  1. Nearly Sort of Not Dance Maybe
  2. pp. 110-112
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  1. Choreographer Steps Spryly into Television
  2. pp. 113-116
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  1. Between the Arts
  1. From “Messin’ Around”to “Funky Western Civilization”
  2. pp. 119-147
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  1. Theatre of Operations
  2. pp. 148-166
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  1. Imagination and Play
  2. pp. 167-185
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  1. The Last Conversation
  2. pp. 186-197
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  1. Homage, Plagiarism,Allusion, Comment,Quotation
  2. pp. 198-215
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  1. Institutionalizing Avant-Garde Performance
  2. pp. 216-241
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  1. Olfactory Performances
  2. pp. 242-254
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  1. Beyond the Millennium
  1. Our Hybrid Tradition
  2. pp. 257-268
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  1. The Scent of a Dance
  2. pp. 269-280
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  1. Choreographing Community
  2. pp. 281-302
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  1. “A New Kind of Beauty”
  2. pp. 303-324
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  1. TV-Dancing Women
  2. pp. 325-343
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  1. Elephants in Tutus
  2. pp. 344-360
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  1. Contributors
  2. p. 361
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  1. Index
  2. pp. 363-380
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