In this Book
Black Film as Genre
Book
1978
Published by:
Indiana University Press
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
summary
Cripps delineates the elements of black film genre in a brilliant essay, and then analyzes six films and their position in the genre. The Scar of Shame, a silent classic, is a social drama which expresses black economic aspiration. The St. Louis Blues uses the black musical idiom to express dramatic conflict, and features Bessie Smith's only film appearance. The Blood of Jesus speaks with primitive conviction to a black religious fundamentalism. The U.S. Army film, The Negro Soldier, is a strong advocate for black social goals, despite the constraints imposed by its sponsor. The critically acclaimed Nothing but a Man celebrates a heroic pastoralism through a visually symbolic narrative. The author's final example is Sweet Sweet - back's Baadasssss Song, the most notorious of the recent "blaxploitation" films. The book concludes with a useful survey of black film criticism and features a bibliography, a filmography, and illustrations from the films.
Table of Contents
Cover
Half Title Page
pp. i-ii
Title Page
pp. iii
Copyright
pp. iv
Contents
pp. v
Dedication
pp. vi
Preface
pp. vii-viii
Part 1. Black Film as Genre
pp. 1-2
1 Definitions
pp. 3-12
2 The Evolution of Black Film
pp. 13-62
Part 2. A Brief Analysis of Six Black Genre Films
pp. 63-64
3 The Scar of Shame
pp. 65-74
4 The St. Louis Blues
pp. 75-85
5 The Blood of Jesus
pp. 86-99
6 The Negro Soldier
pp. 100-114
7 Nothing But a Man
pp. 115-127
8 Sweet Sweetback's Baadasssss Song
pp. 128-140
Part 3
pp. 141-156
Bibliography
pp. 157-164
Appendix A The Credits
pp. 165-172
Appendix B Filmography of Black Genre Films
pp. 173-176
Index
pp. 177-184
| ISBN | 9780253050977 |
|---|---|
| MARC Record | Download |
| OCLC | 1259583981 |
| Launched on MUSE | 2021-07-11 |
| Language | English |
| Open Access | Yes |
| Creative Commons | CC-BY-NC-ND |



