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  • Redefining Liberal Arts Education in the Twenty-First Century
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  • Edited by Robert E. Luckett Jr. Foreword by William D. Adams
  • 2021
  • Published by: University Press of Mississippi
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Contributions by William D. Adams, Sarah Archino, Mario J. Azevedo, Katrina Byrd, Rico D. Chapman, Helen O. Chukwuma, Monica Flippin Wynn, Tatiana Glushko, Eric J. Griffin, Kathi R. Griffin, Yumi Park Huntington, Thomas M. Kersen, Robert E. Luckett Jr., Floyd W. Martin, Preselfannie W. McDaniels, Dawn Bishop McLin, Lauren Ashlee Messina, Byron D'Andra Orey, Kathy Root Pitts, Candis Pizzetta, Lawrence Sledge, RaShell R. Smith-Spears, Joseph Martin Stevenson, Seretha D. Williams, and Karen C. Wilson-Stevenson

Redefining Liberal Arts Education in the Twenty-First Century delves into the essential nature of the liberal arts in America today. During a time when the STEM fields of science, technology, engineering, and math dominate the narrative around the future of higher education, the liberal arts remain vital but frequently dismissed academic pursuits.

While STEAM has emerged as a popular acronym, the arts get added to the discussion in a way that is often rhetorical at best. Written by scholars from a diversity of fields and institutions, the essays in this collection legitimize the liberal arts and offer visions for the role of these disciplines in the modern world. From the arts, pedagogy, and writing to social justice, the digital humanities, and the African American experience, the essays that comprise Redefining Liberal Arts Education in the Twenty-First Century bring attention to the vast array of ways in which the liberal arts continue to be fundamental parts of any education.

In an increasingly transactional environment, in which students believe a degree must lead to a specific job and set income, colleges and universities should take heed of the advice from these scholars. The liberal arts do not lend themselves to the capacity to do a single job, but to do any job. The effective teaching of critical and analytical thinking, writing, and speaking creates educated citizens. In a divisive twenty-first-century world, such a citizenry holds the tools to maintain a free society, redefining the liberal arts in a manner that may be key to the American republic.

Table of Contents

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  1. Cover
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  1. Half-Title Page, Title Page, Copyright
  2. pp. i-iv
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  1. Contents
  2. pp. v-viii
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  1. Foreword. A Robust Liberal Arts Education: Opportunities and Concerns in the Twenty-First Century
  2. William D. Adams
  3. pp. ix-2
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  1. Introduction. Collaboration and Interdisciplinarity in the Knowledge Economy
  2. Candis Pizzetta
  3. pp. 3-10
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  1. Part 1: Digital Humanities, Technology, and the Liberal Arts
  1. Chapter 1. Digital Humanities as a LEAP High-Impact Practice
  2. Seretha D. Williams
  3. pp. 13-23
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  1. Chapter 2. Technology in the Liberal Arts Classroom: Updating the Classroom Toolkit
  2. Monica Flippin Wynn
  3. pp. 24-35
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  1. Chapter 3. Teaching Art History to STEM
  2. Yumi Park Huntington
  3. pp. 36-54
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  1. Part 2: The Arts and the Liberal Arts
  1. Chapter 4. An Interdisciplinary Approach to Cultivating Visual Literacy
  2. Sarah Archino
  3. pp. 57-70
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  1. Chapter 5. Revisiting Erwin Panofsky's "The History of Art as a Humanistic Discipline"
  2. Floyd W. Martin
  3. pp. 71-80
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  1. Chapter 6. Dancing the Humanities: Engaging with Liberal Arts Education
  2. Lauren Ashlee Messina
  3. pp. 81-92
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  1. Part 3: Pedagogy and the Liberal Arts
  1. Chapter 7. Test-Oriented Pedagogy in the Teaching of Communication Skills
  2. Helen O. Chukwuma
  3. pp. 95-103
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  1. Chapter 8. Flexible Thought for the Test-Focused Student
  2. Kathy Root Pitts
  3. pp. 104-117
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  1. Chapter 9. Developing a More Student-Sensitive Approach in the Liberal Arts
  2. Lawrence Sledge
  3. pp. 118-130
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  1. Part 4: Writing and the Liberal Arts
  1. Chapter 10. Conversation in the Writing Center: Developing Student Rhetorical Awareness, Critical Thinking, and Translingual Dispositions
  2. Tatiana Glushko, Kathi R. Griffin
  3. pp. 133-151
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  1. Chapter 11. Translingualism, Transhistoricism, and Shakespeare in a Freshman Seminar
  2. Eric J. Griffin
  3. pp. 152-168
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  1. Chapter 12. The Liberal Arts Faculty Writing Boot Camp
  2. Preselfannie W. McDaniels, Byron D'Andra Orey, Rico D. Chapman, Monica Flippin Wynn
  3. pp. 169-180
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  1. Part 5: Social Issues and the Liberal Arts
  1. Chapter 13. You Can't Say That: Warnings, Political Correctness, and Academic Freedom
  2. Rashell R. Smith-Spears
  3. pp. 183-195
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  1. Chapter 14. Not All Apples Are Red
  2. Katrina Byrd
  3. pp. 196-207
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  1. Chapter 15. Liberal Arts and Humanities as "Molders of Consensus" in the Public Arena
  2. Thomas M. Kersen
  3. pp. 208-222
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  1. Part 6: The African American Experience and the Liberal Arts
  1. Chapter 16. Historical Memory and the Meredith Monument at Ole Miss
  2. Robert E. Luckett, Jr.
  3. pp. 225-242
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  1. Chapter 17. [Re]Engineering a New Liberal Arts Experience: Future Studies and HBCUs
  2. Joseph Martin Stevenson, Dawn Bishop McLin, Karen C. Wilson-Stevenson
  3. pp. 243-257
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  1. Conclusion. Redefining Liberal Arts Education: Challenges and Opportunities
  2. Mario J. Azevedo
  3. pp. 258-274
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  1. About the Contributors
  2. pp. 275-280
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