In this Book

Punctum Books
summary
Siting Futurity: The "Feel Good" Tactical Radicalism of Contemporary Culture in and around Vienna shows how cultural practitioners in and around Vienna draw on their historical knowledge of locality to create rousing productions designed to get audiences to inform themselves about useful aspects of history, to get them to engage their presents, and to help make possible more socially equitable futures. Analyses of politically engaged works of contemporary theatre, film, and photography set in and around Vienna help to identify a historically oriented mechanism that enables artists to tap into Vienna’s extraordinary, and extraordinarily under-appreciated, tradition of protest culture that dates back to the action that brought about the Wiener Neustadt “Blood Court” in the 16th century, but really came into its own with the city’s most influential occupation of an abandoned slaughterhouse for 100 days in the late summer of 1976. It also shows how work with a connection to Vienna by international stars like David Bowie, Wes Anderson, and Christoph Schlingensief has absorbed the same principles. While the overwhelming scale of technological development and the ensuing problems and crises may not have been deliberately designed to induce resignation, passivity, and despair, those who benefit from the related hyperobjects of financialization and climate change must find it convenient that they do, as demoralization reduces resistance to their profit-making machinations. It is in this context that Red Vienna’s proud tradition of social engagement and long tradition of resistance and radicality deserves to be better known.

Table of Contents

  1. Cover
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  1. Half-Title Page, Copyright, Dedication
  2. pp. i-viii
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  1. Contents
  2. pp. ix-x
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  1. Preface
  2. pp. 11-18
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  1. Introduction
  2. pp. 19-38
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  1. 1. (Re)Forming Vienna’s Culture of Resistance: The Proletenpassions @ #Arena
  2. pp. 39-56
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  1. 2. Converting Kebab and Currency into Community on Planet #Ottakring
  2. pp. 57-80
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  1. 3. Lazarus’s Necropolitical Afterlife at Vienna’s #Volkstheater
  2. pp. 81-100
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  1. 4. Hardly Homemad(e): #Schlingensief ’s Container
  2. pp. 101-118
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  1. 5. From Grand Hotels to Tiny Treasures: Wes Anderson and the Ruin Porn Worlds of Yesterday
  2. pp. 119-142
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  1. 6. Capitalism, Schizophrenia, and #Vanlife: The Alpine Edukation of Hans Weingarter
  2. pp. 143-160
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  1. 7. #Hallstatt: Welcome to Jurassic World
  2. pp. 161-188
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  1. Bibliography
  2. pp. 189-214
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  1. Filmography
  2. pp. 215-224
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Additional Information

ISBN
9781953035486
MARC Record
OCLC
1256540547
Pages
224
Launched on MUSE
2021-06-16
Open Access
Yes
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