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Exploring “assemblage theory” in relation to the arts and to artistic research
The concept of assemblage has emerged in recent decades as a central tool for describing, analysing, and transforming dynamic systems in a variety of disciplines. Coined by Deleuze and Guattari in relation to different fields of knowledge, human practices, and nonhuman arrangements, “assemblage” is variously applied today in the arts, philosophy, and human and social sciences, forming links not only between disciplines but also between critical thought and artistic practice. Machinic Assemblages focuses on the concept’s uses, transpositions, and appropriations in the arts, bringing together the voices of artists and philosophers that have been working on and with this topic for many years with those of emerging scholar-practitioners. The volume embraces exciting new and reconceived artistic practices that discuss and challenge existing assemblages, propose new practices within given assemblages, and seek to invent totally unprecedented assemblages.

Contributors: Gareth Abrahams, Burcu Baykan, Ian Buchanan, Edward Campbell, Iain Campbell, Rogério Luiz Costa, Annita Costa Malufe, Paul Dolan, Lilija Duobliene, Vanessa Farfán, Silvio Ferraz, José Gil, Barbara Glowczewski, Christoph Hubatschke, jan jagodzinski, Niall Dermot Kennedy, George E. Lewis, Hsiu-ju Stacy Lo, Clara Maïda, Thomas Nail, Tero Nauha, Alex Nowitz, Morgan O’Hara, Yota Passia, Peter Pál Pelbart, Anne Sauvagnargues, Niamh Schmidtke, Chris Stover, Ron Wigglesworth, Audronė Žukauskaitė   

This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).

Table of Contents

  1. Cover
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  1. Half-title, Title
  2. pp. 1-4
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  1. Table of Contents
  2. pp. 5-8
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  1. Editors' Preface
  2. Paulo de Assis and Paolo Giudici
  3. pp. 9-10
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  1. Introduction: Assemblage and Artistic Research
  2. Paulo de Assis
  3. pp. 11-26
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  1. Cartographic Recording of Discourse: Mapping as an Emergent Rhizomatic Drawing Process
  2. Ron Wigglesworth
  3. pp. 27-32
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  1. Part 1: Music
  1. Guattari, Consistency, and Experimental Musical Assemblages
  2. Edward Campbell
  3. pp. 35-54
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  1. Musical Interaction in the Tetravalence
  2. Chris Stover
  3. pp. 55-76
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  1. Time Music between Lines and Images: Time In-between
  2. Silvio Ferraz
  3. pp. 77-92
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  1. Abstract Cartographies and Assemblages of Minimal Sound Units: A “Body-Organon”?
  2. Clara Maïda
  3. pp. 93-106
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  1. Sounds Flush with the Real: Mixed Semiotic Strategies in Post-Cagean Musical Experimentalism
  2. Iain Campbell
  3. pp. 107-114
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  1. "Is Our Machines Learning Yet?": Machine Learning's Challenge to Improvisation and the Aesthetic
  2. George E. Lewis
  3. pp. 115-128
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  1. Assemblages of Multivocal and Schizophonic Practices: Unleashing the Machined Voice
  2. Alex Nowitz
  3. pp. 129-142
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  1. Travelling with Pēratape: Narrating Poetics of an Assemblage of Recording
  2. Guy Dubious
  3. pp. 143-154
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  1. Machining the Bird
  2. Lilija Duobliene
  3. pp. 155-162
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  1. Part 2: Art
  1. The Dance
  2. José Gil
  3. pp. 165-178
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  1. Kinaesthetics: From Assemblages to Fields of Circulation
  2. Thomas Nail
  3. pp. 179-196
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  1. Ghastly Assemblages and Glittery Bodies without Organs in the Sculptures of David Altmejd
  2. Burcu Baykan
  3. pp. 197-208
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  1. How to Dance with Robots
  2. Christoph Hubatschke
  3. pp. 209-222
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  1. Machines with Organs: Model 5052
  2. Vanessa Farfán
  3. pp. 223-234
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  1. Recalcitrant Temporalities: Heterogeneous Time and the Simulated Image
  2. Paul Dolan
  3. pp. 235-248
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  1. The Machinic Desire of Cinema
  2. Tero Nauha
  3. pp. 249-260
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  1. Free Indirect Discourse and Assemblages: Literary Procedures in Deleuze and Guattari's Style
  2. Annita Costa Malufe
  3. pp. 262-273vgt6
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  1. The Intercessor or Heteronym in Gilles Deleuze and Fernando Pessoa
  2. Niall Kennedy
  3. pp. 273-280
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  1. Part 3 Ecosophy
  1. Assemblages, Black Holes, and Territories
  2. Ian BuchananIan Buchanan
  3. pp. 284-297
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  1. Planetary Assemblages: From Organic to Inorganic and Beyond
  2. Audronė Žukauskaitė
  3. pp. 298-309
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  1. Ethology of Images as Machinic Assemblages
  2. Anne Sauvagnargues
  3. pp. 310-319
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  1. The Transversality of Assemblages in Indigenous Australia and Alternative Environmental Struggles in France
  2. Barbara Glowczewski
  3. pp. 320-339
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  1. Orquestra Errante: Improvising Assemblages Facing the Totalitarian Assemblage
  2. Rogério Luiz Moraes Costa
  3. pp. 340-351
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  1. Subjectification, Desubjectification, Assemblages*
  2. Peter Pál PelbartPeter Pál Pelbart
  3. pp. 352-361
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  1. The Non-art of Tehching Hsieh: Art as Life/Life as Art
  2. jan jagodzinski
  3. pp. 362-379
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  1. Decoding Surveillance Assemblages: How to Read Li Zi-Fong's Lines and Hong Kong's Eyes
  2. Hsiu-ju Stacy Lo
  3. pp. 380-395
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  1. Addressing Problems of Our Capitalist Economies through Artistic Production
  2. Niamh Schmidtke
  3. pp. 396-403
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  1. The Milieu and the Territorial Assemblage: Insights from Architecture
  2. Gareth Abrahams
  3. pp. 404-419
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  1. Hecate: An Apparatus for Mapping Urban Complexity
  2. Yota Passia and Panagiotis Roupas
  3. pp. 420-429
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  1. Live Transmission
  2. Morgan O'Hara
  3. pp. 430-445
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  1. Online Materials
  2. pp. 446-447
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  1. Notes on Contributors
  2. pp. 448-455
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  1. Index
  2. pp. 456-467
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Additional Information

ISBN
9789461663603
Related ISBN
9789462702547
MARC Record
OCLC
1237805313
Pages
400
Launched on MUSE
2021-02-20
Language
English
Open Access
No
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