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summary
All countries, regions and institutions are ultimately built on a degree of consensus, on a collective commitment to a concept, belief or value system. This consensus is continuously rephrased and reinvented through a narrative of cohesion and challenged by expressions of discontent and discord. The history of the Low Countries is characterised by both a striving for consensus and eruptions of discord, both internally and from external challenges. This interdisciplinary volume explores consensus and discord in a Low Countries context along broad cultural, linguistic and historical lines. Disciplines represented include early-modern and contemporary history; art history; film; literature; and translation scholars from both the Low Countries and beyond.

Table of Contents

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  1. Cover
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  1. Half-title Page
  2. p. i
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  1. Series Page
  2. p. ii
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  1. Title Page
  2. p. iii
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  1. Copyright Page
  2. p. iv
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  1. Contents
  2. pp. v-vi
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  1. List of figures and tables
  2. pp. vii-viii
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  1. Introduction: discord and consensus in the Low Countries, 1700–2000
  2. Ulrich Tiedau
  3. pp. 1-5
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  1. 1. Pre-modern Dutch identity and the peace celebrations of 1748
  2. Lotte Jensen
  3. pp. 6-19
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  1. 2. Gnawing worms and rolling thunder: the unstable harmony of Dutch eighteenth-century literature
  2. Inger Leemans and Gert- Jan Johannes
  3. pp. 20-37
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  1. 3. A twice-told tale of a (dis)united kingdom: Thomas Colley Grattan’s History of the Netherlands (1830, 1833)
  2. Raphaël Ingelbien and Elisabeth Waelkens
  3. pp. 38-56
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  1. 4. A conflict in words and images, or a conflict between word and image? An intermedial analysis of graphic novel adaptations of Hendrik Conscience’s The Lion of Flanders (1838)
  2. Christine Hermann
  3. pp. 57-80
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  1. 5. Language controversies in the Gazette van Detroit (1916–1918)
  2. Tanja Collet
  3. pp. 81-101
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  1. 6. ‘Beyond A Bridge Too Far’: the aftermath of the Battle of Arnhem (1944) and its impact on civilian life
  2. Reinier Salverda
  3. pp. 102-117
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  1. 7. ‘A sort of wishful dream’: challenging colonial time and ‘Indische’ identities in Hella S. Haasse’s Oeroeg, Sleuteloog and contemporary newspaper reviews
  2. Stefanie van Gemert
  3. pp. 118-132
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  1. 8. Reinstating a consensus of blame: the film adaptation of Tessa de Loo’s De tweeling (1993) and Dutch memories of wartime
  2. Jenny Watson
  3. pp. 133-150
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  1. 9. Harmony and discord in planning: a comparative history of post-war welfare policies in a Dutch–German border region
  2. Marijn Molema
  3. pp. 151-168
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  1. 10. Dutch in the EU discourse chain: mimic or maverick?
  2. Suzie Holdsworth
  3. pp. 169-189
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  1. Notes
  2. pp. 190-213
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  1. Notes on contributors
  2. pp. 214-218
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  1. Index of names
  2. pp. 219-222
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  1. Subject index
  2. pp. 223-225
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