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The martial arts novel is one of the most distinctive and widely-read forms of modern Chinese fiction. In Paper Swordsmen, John Christopher Hamm offers the first in-depth English-language study of this fascinating and influential genre, focusing on the work of its undisputed twentieth-century master, Jin Yong. Through close readings of Jin Yong’s recognized masterpieces, Hamm shows how these works combine a rich literary tradition with an extraordinary narrative artistry and an evolving appreciation of the political and cultural aspects of contemporary Chinese experience.

Table of Contents

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  1. Cover
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  1. Frontmatter
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  1. Contents
  2. p. v
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  1. Preface and Acknowledgments
  2. pp. vii-ix
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  1. A Note on Conventions
  2. p. xi
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  1. 1. Introduction: The Literary and Historical Contexts of New School Martial Arts Fiction
  2. pp. 1-31
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  1. 2. Local Heroes: Guangdong School Martial Arts Fiction and the Colony of Hong Kong
  2. pp. 32-48
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  1. 3. The Marshes of Mount Liang Beyond the Sea: Jin Yong’s Early Fiction and Postwar Hong Kong
  2. pp. 49-78
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  1. 4. National Passions: From The Eagle-Shooting Heroes to The Giant Eagle and Its Companion
  2. pp. 79-113
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  1. 5. The Empire of the Text: Jin Yong and Ming Pao
  2. pp. 114-136
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  1. 6. Beyond the Rivers and Lakes: The Smiling, Proud Wanderer
  2. p. 137
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  1. 7. Revision and Canonization: From Ming Pao to The Collected Works of Jin Yong
  2. pp. 168-197
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  1. 8. Beyond Martial Arts Fiction: The Deer and the Cauldron
  2. pp. 198-226
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  1. 9. Coming Home: Jin Yong’s Fiction in Mainland China
  2. pp. 227-249
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  1. 10. Jin Yong at the Century’s End: The Wang Shuo Incident and Its Implications
  2. pp. 250-260
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  1. Notes
  2. pp. 261-299
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  1. Select Glossary of Chinese Characters
  2. pp. 301-310
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  1. Bibliography
  2. pp. 311-339
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  1. Index
  2. pp. 341-348
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