In this Book

summary
Since the growth of social media, human communication has become much more visual. This book presents a scholarly analysis of the images people post on a regular basis to Facebook. By including hundreds of examples, readers can see for themselves the differences between postings from a village north of London, and those from a small town in Trinidad. Why do women respond so differently to becoming a mother in England from the way they do in Trinidad? How are values such as carnival and suburbia expressed visually? Based on an examination of over 20,000 images, the authors argue that phenomena such as selfies and memes must be analysed in their local context. The book aims to highlight the importance of visual images today in patrolling and controlling the moral values of populations, and explores the changing role of photography from that of recording and representation, to that of communication, where an image not only documents an experience but also enhances it, making the moment itself more exciting.

Table of Contents

Cover

Half-title

pp. i

Published and Forthcoming Titles

pp. ii

Title page

pp. iii

Copyright information

pp. iv

Introduction to the series Why We Post

pp. v-vi

Acknowledgements

pp. vii-viii

Contents

pp. ix-x

1. Introduction

pp. 1-10

2. The English school pupil

pp. 11-30

3. Young people in Trinidad and their continuities

pp. 31-56

4. English adults

pp. 57-94

5. Trinidadian adults

pp. 95-124

6. The Englishness of posting

pp. 125-152

7. Trinidadian cosmology and values

pp. 153-184

8. Ten points of view

pp. 185-200

9. Conclusion

pp. 201-207

Appendix

pp. 208-214

Notes

pp. 215-218

References

pp. 220-222

Index

pp. 223-226
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