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Rediasporization: African-Guyanese Kweh-Kweh

Book
Gillian Richards-Greaves
2020
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summary
Rediasporization: African-Guyanese Kweh-Kweh examines how African-Guyanese in New York City participate in the Come to My Kwe-Kwe ritual to facilitate rediasporization, that is, the creation of a newer diaspora from an existing one. Since the fall of 2005, African-Guyanese in New York City have celebrated Come to My Kwe-Kwe (more recently called Kwe-Kwe Night) on the Friday evening before Labor Day. Come to My Kwe-Kwe is a reenactment of a uniquely African-Guyanese pre-wedding ritual called kweh-kweh, and sometimes referred to as karkalay, mayan, kweh-keh, and pele. A typical traditional (wedding-based) kweh-kweh has approximately ten ritual segments, which include the pouring of libation to welcome or appease the ancestors; a procession from the groom’s residence to the bride’s residence or central kweh-kweh venue; the hiding of the bride; and the negotiation of bride price. Each ritual segment is executed with music and dance, which allow for commentary on conjugal matters, such as sex, domestication, submissiveness, and hard work. Come to My Kwe-Kwe replicates the overarching segments of the traditional kweh-kweh, but a couple (male and female) from the audience acts as the bride and groom, and props simulate the boundaries of the traditional performance space, such as the gate and the bride’s home. This book draws on more than a decade of ethnographic research data and demonstrates how Come to My Kwe-Kwe allows African-Guyanese-Americans to negotiate complex, overlapping identities in their new homeland, by combining elements from the past and present and reinterpreting them to facilitate rediasporization and ensure group survival.

Table of Contents

Cover

Half-Title Page, Title Page, Copyright

pp. i-iv

Table of Contents

pp. v-vi

Acknowledgments

pp. vii-viii

Abstract

pp. ix-x

Prologue: The Processes of Diasporization and Rediasporization

pp. xi-2

1 Introduction: "Who Karkalay?" - From Wedding-Based Kweh-Kweh to Cultural Reenactment

pp. 3-28

2 "Where's the Cookup Rice?" - Extracting the "African" and Reconstructing "Home" through Food

pp. 29-52

3 Wipin', Winin', and Wukkin': Constructing, Contesting, and Displaying Gender Values

pp. 53-94

4 "Beat de Drum and de Spirit Gon Get Up" - Music, Dance, and Authenticity in Rediasporization

pp. 95-122

5 "Borrow a Day from God" - Navigating the Boundaries of Race and Religion in Rediasporization

pp. 123-144

6 Conclusion: Wholly Fractured, Wholly Whole - Innovating "Traditions" and Reconstructing Self in Come to My Kwe-Kwe Rituals

pp. 145-158

Epilogue: Picking Up the Pieces

pp. 159-166

Glossary

pp. 167-174

Notes

pp. 175-180

Bibliography

pp. 181-202

About the Author

pp. 203-204
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