In this Book
- Liszt and Virtuosity
- Book
- 2020
- Published by: University of Rochester Press
- Series: Eastman Studies in Music
summary
CO-WINNER: The Triennial Alan Walker Book Award, sponsored by the American Liszt Society 2023
A new and wide-ranging collection of essays by leading international scholars, exploring the concept and practices of virtuosity in Franz Liszt and his contemporaries.
In the annals of music history, few figures have dominated the discussion of virtuosity as much as Franz Liszt. A flamboyant performer whose hair-raising technical feats at the piano created a sense of awe-inspiring excitement andan icon whose star power radiated far beyond the realm of music, Liszt was, along with his early model, Paganini, among the first major performer-composers to define himself principally by virtuosity.
Featuring new essays by an international group of preeminent scholars, Liszt and Virtuosity offers a reevaluation of the concept and practices of virtuosity as shaped and defined in Liszt's multifaceted oeuvre, as well as a reconsiderationof Liszt's relation to other major and lesser-known musical figures, including Czerny, Schubert, Chopin, Brahms, Debussy, and Marie Jaëll.
Set in the context of larger trends within the fields of music history, musicanalysis, intellectual history, and performance studies, these capacious explorations demonstrate that Liszt's uniqueness and significance resided in his ability to transform virtuosity into a revolutionary musical force, pushingthe piano aesthetic to the limits of sound and poetic meaning.
A new and wide-ranging collection of essays by leading international scholars, exploring the concept and practices of virtuosity in Franz Liszt and his contemporaries.
In the annals of music history, few figures have dominated the discussion of virtuosity as much as Franz Liszt. A flamboyant performer whose hair-raising technical feats at the piano created a sense of awe-inspiring excitement andan icon whose star power radiated far beyond the realm of music, Liszt was, along with his early model, Paganini, among the first major performer-composers to define himself principally by virtuosity.
Featuring new essays by an international group of preeminent scholars, Liszt and Virtuosity offers a reevaluation of the concept and practices of virtuosity as shaped and defined in Liszt's multifaceted oeuvre, as well as a reconsiderationof Liszt's relation to other major and lesser-known musical figures, including Czerny, Schubert, Chopin, Brahms, Debussy, and Marie Jaëll.
Set in the context of larger trends within the fields of music history, musicanalysis, intellectual history, and performance studies, these capacious explorations demonstrate that Liszt's uniqueness and significance resided in his ability to transform virtuosity into a revolutionary musical force, pushingthe piano aesthetic to the limits of sound and poetic meaning.
Table of Contents
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- Title Page, Copyright
- pp. i-iv
- Acknowledgments
- pp. xi-xii
- Part One: Liszt, Virtuosity,and Performance
- 4 Paths through the Lisztian Ossia
- pp. 148-185
- Part Two: Lisztian Virtuosity: Theoretical Approaches
- Part Three: Virtuosity and Anti-virtuosity in “Late Liszt”
- 11 Virtuosity in Liszt's Late Piano Works
- pp. 387-414
- List of Contributors
- pp. 415-416
- Index of Liszt's Musical Works
- pp. 417-422
- General Index
- pp. 423-434
Additional Information
ISBN
9781787448667
Related ISBN(s)
9781580469395, 9781787449732
MARC Record
OCLC
1183855420
Pages
446
Launched on MUSE
2020-08-18
Language
English
Open Access
No