In this Book

  • African Art Reframed: Reflections and Dialogues on Museum Culture
  • Book
  • Bennetta Jules-Rosette and J. R. Osborn; Foreword by Simon Njami
  • 2020
  • Published by: University of Illinois Press
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    • View Citation
summary
Once seen as a collection of artifacts and ritual objects, African art now commands respect from museums and collectors. Bennetta Jules-Rosette and J.R. Osborn explore the reframing of African art through case studies of museums and galleries in the United States, Europe, and Africa.

The authors take a three-pronged approach. Part One ranges from curiosity cabinets to virtual websites to offer a history of ethnographic and art museums and look at their organization and methods of reaching out to the public. In the second part, the authors examine museums as ecosystems and communities within communities, and they use semiotic methods to analyze images, signs, and symbols drawn from the experiences of curators and artists. The third part introduces innovative strategies for displaying, disseminating, and reclaiming African art. The authors also propose how to reinterpret the art inside and outside the museum and show ways of remixing the results.

Drawing on extensive conversations with curators, collectors, and artists, African Art Reframed is an essential guide to building new exchanges and connections in the dynamic worlds of African and global art.

Table of Contents

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  1. Cover
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  1. Title Page, Copyright, Dedication
  2. pp. i-vi
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  1. Contents
  2. pp. vii-xii
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  1. Foreword
  2. pp. xiii-xviii
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  1. Preface and Acknowledgments
  2. pp. xix-xxviii
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  1. Introduction: Reframing African Art
  2. pp. 1-30
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  1. Part I: Entering Museums at the Threshold
  1. 1. Lost and Found: Postcolonial Reflections on Colonial Museums
  2. pp. 33-64
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  1. 2. Revisiting the Storeroom: Collections and Cultural Surplus
  2. pp. 65-93
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  1. 3. Reaching Out: Museums, Audiences, and the Public Sphere
  2. pp. 94-120
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  1. Part II: Dialogues on Museum Practices and Art Worlds
  1. 4. Museums Speak Out: Curators' Dialogues
  2. pp. 123-183
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  1. 5. Agitating African Art: Artists' Voices and Audience Responses
  2. pp. 184-234
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  1. Part III: Unmixing African Art and Remixing the Results
  1. 6. The Theory and Method of Unmixing
  2. pp. 237-265
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  1. 7. Remixing the Results and Looking Ahead
  2. pp. 266-278
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  1. 8. Personal Journeys and Reflections on African Art
  2. pp. 279-292
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  1. Chronology
  2. pp. 293-304
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  1. Notes
  2. pp. 305-328
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  1. Bibliography
  2. pp. 329-356
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  1. Index
  2. pp. 357-380
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  1. Back Cover
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