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summary
If parapolitics, a branch of radical criminology that studies the interactions between public entities and clandestine agencies, is to develop as an academic discipline, then it must develop a coherent theory of aesthetics in order to successfully perform its primary function: to render perceptible extra-judicial phenomena that have hitherto resisted formal classification. Wilson offers the work of H.P. Lovecraft (1890–1937) as an example of the relevance of subversive literature—in this case, cosmic horror and the weird tale—to the parapolitical criminologist. Cosmic horror is a form of writing that relies heavily upon the epistemological assumption of a radical and irreconcilable disjunction between appearance and reality, perception and truth. In many ways, the well-constructed weird tale strongly resembles the hard-boiled detective story or the noir thriller in that the resolution of the narrative hinges upon a dramatically shattering confrontation with an unspeakable reality. Apart from its obvious utilization of conspiracy theory, the primary attraction of the Lovecraftian text lies with its remarkably sophisticated utilization of two central tropes of classical aesthetic theory—the sublime and the grotesque. Not only does Lovecraft’s oeuvre represent a remarkable use of both of these motifs, but the raw literary power of the Lovecraftian weird tale serves as an outstanding exemplar for the parapolitical scholar to emulate in formulating an alternative mode of discourse, or poetics.

Table of Contents

  1. Cover
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  1. Half-title Page, Support the Publisher, Copyright, Title Page, Dedication, Epigraph
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  1. Acknowledgments
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  1. Contents
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  1. 1. Gods and Monsters
  2. pp. 15-26
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  1. 2. The Criminology of the Nameless: Parapolitics and Alētheia
  2. pp. 27-46
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  1. 3. From the Sublime: “The Call of Cthulhu” (1926)
  2. pp. 47-88
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  1. 4. To the Grotesque: “The Horror at Red Hook” (1925)
  2. pp. 89-118
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  1. 5. N. Lat. 40.7117º, W. Long. 74.0125º 08:46–09:03 AM, September 11, 2001
  2. pp. 119-142
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  1. Conclusion: The Doom that Came to Humanism
  2. pp. 143-172
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  1. Bibliography
  2. pp. 173-186
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  1. Publication
  2. p. 187
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Additional Information

ISBN
9780998237565
MARC Record
OCLC
1188992353
Pages
186
Launched on MUSE
2020-08-23
Language
English
Open Access
Yes
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