In this Book
Rumba under Fire: The Arts of Survival from West Point to Delhi
Book
2016
Published by:
Punctum Books
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
summary
A professor of poetry uses a deck of playing cards to measure the time until her lover returns from Afghanistan. Congolese soldiers find their loneliness reflected in the lyrics of rumba songs. Survivors of the siege of Sarajevo discuss which book they would have never burned for fuel. A Romanian political prisoner writes her memoir in her head, a book no one will ever read. These are the arts of survival in times of crisis. Rumba Under Fire proposes we think differently about what it means for the arts and liberal arts to be “in crisis.” In prose and poetry, the contributors to Rumba Under Fire explore what it means to do art in hard times. How do people teach, create, study, and rehearse in situations of political crisis? Can art and intellectual work really function as resistance to power? What relationship do scholars, journalists, or even memoirists have to the crises they describe and explain? How do works created in crisis, especially at the extremes of human endurance, fit into our theories of knowledge and creativity?
Table of Contents
Cover
Half-Title Page, Title Page, Copyright, Support the Publisher
Table of Contents
Dedication
Introduction
pp. xiii-xxiv
Triptych (The Library)
pp. 1-2
What Book Would you Never Burn (For Fuel)?
pp. 3-14
Poems in Prison: The Survival Strategies of Romanian Political Prisoners
pp. 15-30
Writing Resistance: Lena Constante's The Silent Escape and the Journal as Genre in Romania's (Post)Communist Literary Field
pp. 31-52
War and the Food of Dreams: An Interview with Cara de Silva
pp. 53-78
Atempause and Atemschaukel: The Post-War Periods of Primo Levi and Herta Müller
pp. 79-100
Theater in Wartime
pp. 101-102
Counting Cards: A Poetics for Deployment
pp. 103-118
Ace of Hearts
pp. 119-120
Civilization and its Malcontents: On Teaching Western Humanities in "The New Turkey"
pp. 121-144
Departure Entrance
pp. 145-154
Profanations: The Public, The Political and the Humanities in India
pp. 155-174
Village Cosmopolitanisms: Or, I See Kabul from Lado Sarai
pp. 175-196
Terpischore
pp. 197-200
Rumba Under Fire: Music as Morale and Morality in Music at the Frontlines of the Congo
pp. 201-230
Ulysses
pp. 231-232
Acknowledgments
pp. 233-234
Contributor Biographies
pp. 235-240
Back Cover
Publication Data
| ISBN | 9780692655832 |
|---|---|
| DOI | 10.1353/book.76503![]() |
| MARC Record | Download |
| OCLC | 1182881178 |
| Pages | 264 |
| Launched on MUSE | 2020-08-10 |
| Language | English |
| Open Access | Yes |
| Creative Commons | CC-BY-NC-SA |
Copyright
2016




