In this Book

Rumba under Fire: The Arts of Survival from West Point to Delhi

Book
2016
Published by: Punctum Books
summary
A professor of poetry uses a deck of playing cards to measure the time until her lover returns from Afghanistan. Congolese soldiers find their loneliness reflected in the lyrics of rumba songs. Survivors of the siege of Sarajevo discuss which book they would have never burned for fuel. A Romanian political prisoner writes her memoir in her head, a book no one will ever read. These are the arts of survival in times of crisis. Rumba Under Fire proposes we think differently about what it means for the arts and liberal arts to be “in crisis.” In prose and poetry, the contributors to Rumba Under Fire explore what it means to do art in hard times. How do people teach, create, study, and rehearse in situations of political crisis? Can art and intellectual work really function as resistance to power? What relationship do scholars, journalists, or even memoirists have to the crises they describe and explain? How do works created in crisis, especially at the extremes of human endurance, fit into our theories of knowledge and creativity?

Table of Contents

Cover

Half-Title Page, Title Page, Copyright, Support the Publisher

Table of Contents

Dedication

Introduction

pp. xiii-xxiv

Triptych (The Library)

pp. 1-2

What Book Would you Never Burn (For Fuel)?

pp. 3-14

Poems in Prison: The Survival Strategies of Romanian Political Prisoners

pp. 15-30

Writing Resistance: Lena Constante's The Silent Escape and the Journal as Genre in Romania's (Post)Communist Literary Field

pp. 31-52

War and the Food of Dreams: An Interview with Cara de Silva

pp. 53-78

Atempause and Atemschaukel: The Post-War Periods of Primo Levi and Herta Müller

pp. 79-100

Theater in Wartime

pp. 101-102

Counting Cards: A Poetics for Deployment

pp. 103-118

Ace of Hearts

pp. 119-120

Civilization and its Malcontents: On Teaching Western Humanities in "The New Turkey"

pp. 121-144

Departure Entrance

pp. 145-154

Profanations: The Public, The Political and the Humanities in India

pp. 155-174

Village Cosmopolitanisms: Or, I See Kabul from Lado Sarai

pp. 175-196

Terpischore

pp. 197-200

Rumba Under Fire: Music as Morale and Morality in Music at the Frontlines of the Congo

pp. 201-230

Ulysses

pp. 231-232

Acknowledgments

pp. 233-234

Contributor Biographies

pp. 235-240

Back Cover

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