In this Book

summary
This book is a collection of thirty-five texts from the first series of guest writers’ essays, written specifically for The Funambulist weblog from June 2011 to November 2012. The idea of complementing Lambert’s own texts on his blog with those written by others originated from the idea that having friends communicate with each other about their work could help develop mutual interests and provide a platform to address an audience. Thirty-nine authors of twenty-three nationalities were given the opportunity to write essays about a part of their work that might fit with the blog’s editorial line. Overall, two ‘families’ of texts emerged, collected in two distinct parts in this volume. The first part, The Power of the Line, explores the legal, geographical and historical politics of various places of the world. The second part, Architectural Narratives, approaches architecture in a mix of things that were once called philosophy, literature and art. This dichotomy represents the blog’s editorial line and can be reconciled by the obsession of approaching architecture without care for the limits of a given discipline. This method, rather than adopting the contemporary architect’s syndrome that consists in talking about everything but being an expert in nothing, attempts to consider architecture as something embedded within (geo)political, cultural, social, historical, biological, and dromological mechanisms that widely exceed what is traditionally understood as the limits of its expertise.

Table of Contents

Cover

Title Page, Copyright

Contents

Walking on a Tight Rope: Introduction

pp. 6-8

Part 1: The Power of the Line

Entropy, Law and Funambulism

pp. 9-13

The Clear-Blurry Line

pp. 14-18

Post-Political Attitudes on Immigration, Utopias and the Space Between Us

pp. 19-22

The Mosque: Religion, Politics and Architecture in the 21st Century

pp. 23-26

Nothing to Hide

pp. 27-31

Briefly on Walking

pp. 32-36

Femicide Machine/Backyard

pp. 37-42

Becoming Fugitive: Carceral Space and Rancieran Politics

pp. 43-50

My Dear Francis...What Kind of Phoenix will Arise from These Ashes?

pp. 51-54

Movement and Solidarity

pp. 55-58

Open Stacks

pp. 59-61

A Visit to the Old City of Hebron

pp. 62-65

Lahore's Architecture of In/Security

pp. 66-76

Ruin Machine

pp. 77-81

The Textual-Sonic Landscape of Jacques Perret's Des Fortifications et Artifices

pp. 82-91

Mapping Intervals: Towards an Emancipated Cartography

pp. 92-106

Part 2: Architecture Narratives

The Funambulist Atmosphere

pp. 107-111

Apian Semantics

pp. 112-117

Dissolving Minds and Bodies

pp. 118-120

Thoughts on Meta-Virtual Solipsism

pp. 121-124

Old Media's Ressurection

pp. 125-128

Cinematic Catalysts: Contempt + Casa Malaparte

pp. 129-132

Off the Grid Left Out and Over

pp. 133-137

Transcendent Delusion or; the Dangerous Free Spaces of Phillip K. Dick

pp. 138-141

The Possible Worlds of Architecture

pp. 142-146

Pet Architecture: Human's Best Friend

pp. 147-155

Bread and Circus: Agorae vs Arenas

pp. 156-159

Motion Architecture

pp. 160-163

Fibrous Assemblages and Behavioral Composites

pp. 164-167

Unfolding Azadi Tower: Reading Persian Folds through Deleuze

pp. 168-172

Twin (Technology/Art Induced) Architectural Daydreams

pp. 173-177

DIY Biopolitics: The Deregulated Self

pp. 178-182

Two Questions for Seher Shah

pp. 183-187

The Groundbreaking Clarity of Ryan and Trevor Oakes

pp. 188-194

Would Have Been...an Inventory

pp. 195-202

Appendix: Presentation of the Contributors

pp. 203-209

Back Cover

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