In this Book

AfroAsian Encounters: Culture, History, Politics

Book
Raphael-Hernandez, Heike
2006
Published by: NYU Press
summary

With a Foreword by Vijay Prashad and an Afterword by Gary Okihiro
How might we understand yellowface performances by African Americans in 1930s swing adaptations of Gilbert and Sullivan's The Mikado, Paul Robeson's support of Asian and Asian American struggles, or the absorption of hip hop by Asian American youth culture?
AfroAsian Encounters is the first anthology to look at the mutual influence of and relationships between members of the African and Asian diasporas. While these two groups have often been thought of as occupying incommensurate, if not opposing, cultural and political positions, scholars from history, literature, media, and the visual arts here trace their interconnections and interactions, as well as the tensions between the two groups that sometimes arise. AfroAsian Encounters probes beyond popular culture to trace the historical lineage of these coalitions from the late nineteenth century to the present.
A foreword by Vijay Prashad sets the volume in the context of the Bandung conference half a century ago, and an afterword by Gary Okihiro charts the contours of a “Black Pacific.” From the history of Japanese jazz composers to the current popularity of black/Asian “buddy films” like Rush Hour, AfroAsian Encounters is a groundbreaking intervention into studies of race and ethnicity and a crucial look at the shifting meaning of race in the twenty-first century.

Table of Contents

Title Page, Copyright Page

Contents

pp. v-vii

Acknowledgments

pp. ix-x

Foreword - Bandung Is Done: Passages in AfroAsian Epistemology

pp. xi-xxiii

Introduction: AfroAsian Encounters: Culture, History, Politics

pp. 1-14

Part I: Positioning AfroAsian Racial Identities

“ A Race So Different from Our Own”: Segregation, Exclusion, and the Myth of Mobility

pp. 17-33

Crossings in Prose: Jade Snow Wong and the Demand for a New Kind of Expert

pp. 34-49

Complicating Racial Binaries: Asian Canadians and African Canadians as Visible Minorities

pp. 50-67

One People, One Nation?: Creolization and Its Tensions in Trinidadian and Guyanese Fiction

pp. 68-85

Black-and-Tan Fantasies: Interracial Contact between Blacks and South Asians in Film

pp. 86-100

Part II: Confronting the Color Hierarchy

“It Takes Some Time to Learn the Right Words”: The Vietnam War in African American Novels

pp. 103-123

Chutney, Métissage, and Other Mixed Metaphors: Reading Indo Caribbean Art in Afro Caribbean Contexts

pp. 124-145

These Are the Brea: ksHip-Hop and AfroAsian Cultural (Dis)Connections

pp. 146-164

Part III: Performing AfroAsian Identities

Racing American Modernity: Black Atlantic Negotiations of Asia and the “Swing” Mikados

pp. 167-187

Black Bodies/Yellow Masks: The Orientalist Aesthetic in Hip-Hop and Black Visual Culture

pp. 188-203

The Rush Hour of Black/Asian Coalitions?: Jackie Chan and Blackface Minstrelsy

pp. 204-222

Performing Postmodernist Passing: Nikki S. Lee, Tuff, and Ghost Dog in Yellowface/Blackface

pp. 223-242

Part IV: Celebrating Unity

Persisting Solidarities: Tracing the AfroAsian Thread in U.S. Literature and Culture

pp. 245-259

Internationalism and Justice: Paul Robeson, Asia, and Asian Americans

pp. 260-276

“Jazz That Eats Rice”: Toshiko Akiyoshi’s Roots Music

pp. 277-294

Kickin’ the White Man’s Ass: Black Power, Aesthetics, and the Asian Martial Arts

pp. 295-312

Afterword: Toward a Black Pacific

pp. 313-330

About the Contributors

pp. 331-334

Index

pp. 335-342
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