In this Book

summary

Film and television have never been more prevalent or watched than they are now, yet we still have little understanding of how people process and make use of what they see. And though we acknowledge the enormous role the media plays in our culture, we have only a vague sense of how it actually influences our attitudes and desires.

In Perverse Spectators, Janet Staiger argues that studying the interpretive methods of spectators within their historical contexts is both possible and necessary to understand the role media plays in culture and in our personal lives. This analytical approach is applied to topics such as depictions of violence, the role of ratings codes, the horror and suspense genre, historical accuracy in film, and sexual identities, and then demonstrated through works like JFK, The Silence of the Lambs, The Texas Chain Saw Massacre, Psycho, and A Clockwork Orange. Each chapter shows a different approach to reconstructing audience responses to films, consistently and ingeniously finding traces of what would otherwise appear to be unrecoverable information.

Using vivid examples, charting key concepts, and offering useful syntheses of long-standing debates, Perverse Spectators constitutes a compelling case for a reconsideration of the assumptions about film reception which underlie contemporary scholarship in media studies.

Taking on widely influential theories and scholars, Perverse Spectators is certain to spark controversy and help redefine the study of film as it enters the new millennium.

Table of Contents

  1. Frontmatter
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  1. Contents
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  1. Introduction
  2. pp. 1-7
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  1. Part I: Historical Theory and Reception Studies
  2. p. 9
  1. 1. Modes of Reception
  2. pp. 11-27
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  1. 2. The Perversity of Spectators: Expanding the History of the Classical Hollywood Cinema
  2. pp. 28-42
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  1. 3. Writing the History of American Film Reception
  2. pp. 43-57
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  1. Part II: Interpretation and Hollywood Film History
  2. p. 59
  1. 4. Hybrid or Inbred: The Purity Hypothesis and Hollywood Genre History
  2. pp. 61-76
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  1. 5. The Romances of the Blonde Venus: Movie Censors versus Movie Fans
  2. pp. 77-92
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  1. 6. The Cultural Productions of A Clockwork Orange
  2. pp. 93-111
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  1. Part III: Interpretation and Identity Theory
  2. p. 113
  1. 7. The Places of Empirical Subjects in the Event of Mass Culture: Jeanie Bueller and Ideology
  2. pp. 115-124
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  1. 8. Finding Community in the Early 1960s: Underground Cinema and Sexual Politics
  2. pp. 125-160
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  1. 9. Taboos and Totems: Cultural Meanings of The Silence of the Lambs
  2. pp. 161-178
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  1. 10. Hitchcock in Texas: Intertextuality in the Face of Blood and Gore
  2. pp. 179-187
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  1. Part IV: Interpretation and the Representation of the Real
  2. p. 189
  1. 11. Securing the Fictional Narrative as a Tale of the Historical Real: The Return of Martin Guerre
  2. pp. 191-209
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  1. 12. Cinematic Shots: The Narration of Violence
  2. pp. 210-228
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  1. Permissions
  2. pp. 229-230
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  1. Index
  2. pp. 231-241
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  1. About the Author
  2. p. 242
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Additional Information

ISBN
9780814771181
Related ISBN
9780814781388
MARC Record
OCLC
45728211
Pages
248
Launched on MUSE
2012-01-01
Language
English
Open Access
No
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