In this Book

summary
An exploration of the poetic function of Greek archetypes in Schiller's Wallenstein, this study claims Homer's Iliad and Euripides's Iphigenia in Aulis, the first epic and the last tragic poem about the Trojan War in the Greek tradition, as archetypal sources for Schiller's modern historical drama about the Thirty Years War. In close comparison with Voss's translation of the Iliad and Schiller's own translation of Iphigenia in Aulis, Berns shows how Wallenstein compounds echoes of Homeric and Euripidean characters and plots to create a rich horizon of mythical overtones above and beyond the historical world.

Table of Contents

Cover

Half-Title Page

pp. i

Series Note

pp. ii

Title Page

pp. iii

Copyright

pp. iv-vi

Dedication

pp. vii-viii

Table of Contents

pp. ix-ix

Acknowledgments

pp. xi

Half-Title Page

pp. 1-2

Introduction

pp. 3-9

Part I: Homer

pp. 11-12

I. History of the Thirty Years’ War and The Iliad

pp. 13-20

II. Wallenstein and The Iliad

pp. 21-45

III. “No Iliad Possible Any More after The Iliad”

pp. 46-51

Part II: Euripides

pp. 53-54

IV. Dramatic versus Epic Poetry

pp. 55-58

V. Wallenstein and Iphigenia in Aulis

pp. 59-77

VI. Wallenstein—”Not a Greek Tragedy”

pp. 78-86

Part III: Philosophical Writings

pp. 87-88

VII. Philosophical Poems and Aesthetic Writings

pp. 89-93

VIII. Theory in Practice: Art and Nature in Schiller’s Presentation of the Ideal

pp. 94-100

IX. “I Am and Remain Merely a Poet”

pp. 101-104

Comparative Panorama

pp. 105-110

Notes

pp. 111-143

Bibliography

pp. 144-148

Index

pp. 149-150
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