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The German Poetry of Paul Fleming: Studies in Genre and History

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By Marian R. Sperberg-McQueen
1990
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summary
This study reassesses the poetry of Paul Fleming (1609–1640) in the context of its own literary, historical, and social background. The four chapters focus initially on generic and historical context. The study of selected texts leads to more general considerations of the sources and significance of certain major themes. A number of poems by Fleming and poets contemporary with him uncovered in the twentieth century are evaluated here for the first time. The result is a substantially revised view of Fleming's poetic development. Fleming is shown to have been a more complex and wide-ranging poet than was conventionally thought, one whose debt to Renaissance literary traditions has been underestimated.

Table of Contents

Cover

Half-Title Page

pp. i

Series Note

pp. ii

Title Page

pp. iii

Copyright

pp. iv-vi

Dedication

pp. vii-viii

Contents

pp. ix-x

Acknowledgments

pp. xi-xii

Orthography and Citation Practices

pp. xiii-xiv

Half-Title Page

pp. xv

Introduction

pp. 1-7

1. Roots and New Beginnings: The Arae Schönburgicae and Fleming’s Earliest Surviving German Poems (1629–1630)

pp. 10-51

2. Politics and Poetry in Saxony: The Policies of Elector Johann Georg of Saxony and the Schreiben vertriebener Frau Germanien (1631)

pp. 53-75

3. Baltic Pastoral: Fleming’s Schäferei for Reiner Brokmann (1635)

pp. 78-132

4. Epistolae ex Persia: The Poetic Epistles Written during the Persian Journey (1636–1638)

pp. 133-178

Epilogue

pp. 179-180

Notes

pp. 181-210

Works Cited

pp. 211-227

Index

pp. 229-238
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