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Hollywood Goes Latin: Spanish-Language Cinema in Los Angeles

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María de las Carreras and Jan-Christopher Horak
2019
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In the 1920s, Los Angeles enjoyed a buoyant homegrown Spanish-language culture comprised of local and itinerant stock companies that produced zarzuelas, stage plays, and variety acts. After the introduction of sound films, Spanish-language cinema thrived in the city's downtown theatres, screening throughout the 1930s, 1940s, and 1950s in venues such as the Teatro Eléctrico, the California, the Roosevelt, the Mason, the Azteca, the Million Dollar, and the Mayan Theater, among others. With the emergence and growth of Mexican and Argentine sound cinema in the early to mid-1930s, downtown Los Angeles quickly became the undisputed capital of Latin American cinema culture in the United States. Meanwhile, the advent of talkies resulted in the Hollywood studios hiring local and international talent from Latin America and Spain for the production of films in Spanish. Parallel with these productions, a series of Spanish-language films were financed by independent producers. As a result, Los Angeles can be viewed as the most important hub in the United States for the production, distribution, and exhibition of films made in Spanish for Latin American audiences.


In April 2017, the International Federation of Film Archives organized a symposium, "Hollywood Goes Latin: Spanish-Language Cinema in Los Angeles," which brought together scholars and film archivists from all of Latin America, Spain, and the United States to discuss the many issues surrounding the creation of Hollywood's "Cine Hispano." The papers presented in this two-day symposium are collected and revised here.


This is a joint publication of FIAF and UCLA Film & Television Archive.

Table of Contents

Cover

Title

Table of Contents

Introduction

pp. 5-10

I. Exhibition, Distribution, Reception

Creating a Minority Cinema: Spanish-Language Film Exhibition in Downtown Los Angeles before World War II

pp. 11-30

Hollywood's Spanish-Language Movies in Buenos Aires, Lima, Montevideo, and Mexico City

pp. 31-42

The Rise and Fall of Spanish Versions (1929-1931), According to Cinelandia Magazine

pp. 43-50

Buried in the Vaults: The Restoration of Hollywood's Spanish-language films

pp. 51-62

II. Production

Cita en Hollywood

pp. 63-82

Carlos Borcosque: Learning the Ropes in Hollywood (1927-1938)

pp. 83-94

Ramón Peón: A Cuban in the Babel of Languages

pp. 95-104

Gabriel García Moreno: Inventor in Hollywood, Innovator in Mexico

pp. 105-112

Romualdo Tirado and the Pioneers of Spanish-language Cinema in Los Angeles

pp. 113-126

Carlos Gardel's Exito Productions, Inc. A Case of Hispanic Autonomy?

pp. 127-134

Guillermo Calles: A Mexican Film Pioneer in California

pp. 135-142

José Mojica: The Tenor from Jalisco, Mexico, Who Conquered Hollywood

pp. 143-152

Conchita Montenegro in Hollywood: Reception and Performing Style

pp. 153-162

Antonio Moreno: The Star Who Returned to Spain without Leaving Hollywood

pp. 163-170

Competing against Hollywood: A Case Study, Contrabando

pp. 171-178

The Frustrated Career of Celia Villa

pp. 179-190

Bibliography

pp. 191-197

Spanish-language Films Made in Hollywood (1929-1939)

pp. 198-204

Author Biographies

pp. 205-209

Index

pp. 210-226

Acknowledgements

pp. 227-228
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